5648 lines
157 KiB
Plaintext
5648 lines
157 KiB
Plaintext
The Project Gutenberg eBook of Romeo and Juliet
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This ebook is for the use of anyone anywhere in the United States and
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most other parts of the world at no cost and with almost no restrictions
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whatsoever. You may copy it, give it away or re-use it under the terms
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of the Project Gutenberg License included with this ebook or online
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at www.gutenberg.org. If you are not located in the United States,
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you will have to check the laws of the country where you are located
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before using this eBook.
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Title: Romeo and Juliet
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Author: William Shakespeare
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Release date: November 1, 1998 [eBook #1513]
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Most recently updated: June 19, 2024
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Language: English
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Credits: the PG Shakespeare Team, a team of about twenty Project Gutenberg volunteers
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*** START OF THE PROJECT GUTENBERG EBOOK ROMEO AND JULIET ***
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THE TRAGEDY OF ROMEO AND JULIET
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by William Shakespeare
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Contents
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THE PROLOGUE.
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ACT I
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Scene I. A public place.
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Scene II. A Street.
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Scene III. Room in Capulets House.
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Scene IV. A Street.
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Scene V. A Hall in Capulets House.
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ACT II
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CHORUS.
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Scene I. An open place adjoining Capulets Garden.
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Scene II. Capulets Garden.
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Scene III. Friar Lawrences Cell.
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Scene IV. A Street.
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Scene V. Capulets Garden.
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Scene VI. Friar Lawrences Cell.
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ACT III
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Scene I. A public Place.
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Scene II. A Room in Capulets House.
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Scene III. Friar Lawrences cell.
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Scene IV. A Room in Capulets House.
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Scene V. An open Gallery to Juliets Chamber, overlooking the Garden.
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ACT IV
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Scene I. Friar Lawrences Cell.
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Scene II. Hall in Capulets House.
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Scene III. Juliets Chamber.
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Scene IV. Hall in Capulets House.
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Scene V. Juliets Chamber; Juliet on the bed.
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ACT V
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Scene I. Mantua. A Street.
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Scene II. Friar Lawrences Cell.
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Scene III. A churchyard; in it a Monument belonging to the Capulets.
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Dramatis Person
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ESCALUS, Prince of Verona.
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MERCUTIO, kinsman to the Prince, and friend to Romeo.
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PARIS, a young Nobleman, kinsman to the Prince.
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Page to Paris.
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MONTAGUE, head of a Veronese family at feud with the Capulets.
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LADY MONTAGUE, wife to Montague.
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ROMEO, son to Montague.
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BENVOLIO, nephew to Montague, and friend to Romeo.
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ABRAM, servant to Montague.
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BALTHASAR, servant to Romeo.
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CAPULET, head of a Veronese family at feud with the Montagues.
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LADY CAPULET, wife to Capulet.
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JULIET, daughter to Capulet.
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TYBALT, nephew to Lady Capulet.
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CAPULETS COUSIN, an old man.
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NURSE to Juliet.
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PETER, servant to Juliets Nurse.
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SAMPSON, servant to Capulet.
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GREGORY, servant to Capulet.
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Servants.
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FRIAR LAWRENCE, a Franciscan.
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FRIAR JOHN, of the same Order.
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An Apothecary.
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CHORUS.
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Three Musicians.
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An Officer.
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Citizens of Verona; several Men and Women, relations to both houses;
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Maskers, Guards, Watchmen and Attendants.
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SCENE. During the greater part of the Play in Verona; once, in the
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Fifth Act, at Mantua.
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THE PROLOGUE
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Enter Chorus.
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CHORUS.
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Two households, both alike in dignity,
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In fair Verona, where we lay our scene,
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From ancient grudge break to new mutiny,
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Where civil blood makes civil hands unclean.
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From forth the fatal loins of these two foes
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A pair of star-crossd lovers take their life;
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Whose misadventurd piteous overthrows
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Doth with their death bury their parents strife.
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The fearful passage of their death-markd love,
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And the continuance of their parents rage,
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Which, but their childrens end, nought could remove,
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Is now the two hours traffic of our stage;
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The which, if you with patient ears attend,
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What here shall miss, our toil shall strive to mend.
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[_Exit._]
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ACT I
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SCENE I. A public place.
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Enter Sampson and Gregory armed with swords and bucklers.
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SAMPSON.
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Gregory, on my word, well not carry coals.
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GREGORY.
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No, for then we should be colliers.
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SAMPSON.
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I mean, if we be in choler, well draw.
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GREGORY.
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Ay, while you live, draw your neck out o the collar.
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SAMPSON.
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I strike quickly, being moved.
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GREGORY.
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But thou art not quickly moved to strike.
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SAMPSON.
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A dog of the house of Montague moves me.
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GREGORY.
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To move is to stir; and to be valiant is to stand: therefore, if thou
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art moved, thou runnst away.
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SAMPSON.
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A dog of that house shall move me to stand.
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I will take the wall of any man or maid of Montagues.
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GREGORY.
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That shows thee a weak slave, for the weakest goes to the wall.
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SAMPSON.
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True, and therefore women, being the weaker vessels, are ever thrust to
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the wall: therefore I will push Montagues men from the wall, and
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thrust his maids to the wall.
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GREGORY.
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The quarrel is between our masters and us their men.
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SAMPSON.
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Tis all one, I will show myself a tyrant: when I have fought with the
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men I will be civil with the maids, I will cut off their heads.
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GREGORY.
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The heads of the maids?
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SAMPSON.
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Ay, the heads of the maids, or their maidenheads; take it in what sense
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thou wilt.
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GREGORY.
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They must take it in sense that feel it.
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SAMPSON.
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Me they shall feel while I am able to stand: and tis known I am a
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pretty piece of flesh.
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GREGORY.
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Tis well thou art not fish; if thou hadst, thou hadst been poor John.
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Draw thy tool; here comes of the house of Montagues.
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Enter Abram and Balthasar.
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SAMPSON.
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My naked weapon is out: quarrel, I will back thee.
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GREGORY.
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How? Turn thy back and run?
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SAMPSON.
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Fear me not.
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GREGORY.
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No, marry; I fear thee!
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SAMPSON.
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Let us take the law of our sides; let them begin.
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GREGORY.
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I will frown as I pass by, and let them take it as they list.
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SAMPSON.
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Nay, as they dare. I will bite my thumb at them, which is disgrace to
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them if they bear it.
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ABRAM.
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Do you bite your thumb at us, sir?
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SAMPSON.
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I do bite my thumb, sir.
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ABRAM.
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Do you bite your thumb at us, sir?
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SAMPSON.
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Is the law of our side if I say ay?
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GREGORY.
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No.
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SAMPSON.
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No sir, I do not bite my thumb at you, sir; but I bite my thumb, sir.
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GREGORY.
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Do you quarrel, sir?
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ABRAM.
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Quarrel, sir? No, sir.
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SAMPSON.
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But if you do, sir, I am for you. I serve as good a man as you.
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ABRAM.
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No better.
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SAMPSON.
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Well, sir.
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Enter Benvolio.
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GREGORY.
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Say better; here comes one of my masters kinsmen.
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SAMPSON.
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Yes, better, sir.
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ABRAM.
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You lie.
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SAMPSON.
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Draw, if you be men. Gregory, remember thy washing blow.
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[_They fight._]
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BENVOLIO.
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Part, fools! put up your swords, you know not what you do.
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[_Beats down their swords._]
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Enter Tybalt.
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TYBALT.
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What, art thou drawn among these heartless hinds?
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Turn thee Benvolio, look upon thy death.
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BENVOLIO.
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I do but keep the peace, put up thy sword,
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Or manage it to part these men with me.
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TYBALT.
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What, drawn, and talk of peace? I hate the word
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As I hate hell, all Montagues, and thee:
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Have at thee, coward.
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[_They fight._]
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Enter three or four Citizens with clubs.
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FIRST CITIZEN.
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Clubs, bills and partisans! Strike! Beat them down!
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Down with the Capulets! Down with the Montagues!
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Enter Capulet in his gown, and Lady Capulet.
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CAPULET.
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What noise is this? Give me my long sword, ho!
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LADY CAPULET.
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A crutch, a crutch! Why call you for a sword?
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CAPULET.
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My sword, I say! Old Montague is come,
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And flourishes his blade in spite of me.
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Enter Montague and his Lady Montague.
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MONTAGUE.
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Thou villain Capulet! Hold me not, let me go.
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LADY MONTAGUE.
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Thou shalt not stir one foot to seek a foe.
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Enter Prince Escalus, with Attendants.
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PRINCE.
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Rebellious subjects, enemies to peace,
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Profaners of this neighbour-stained steel,
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Will they not hear? What, ho! You men, you beasts,
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That quench the fire of your pernicious rage
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With purple fountains issuing from your veins,
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On pain of torture, from those bloody hands
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Throw your mistemperd weapons to the ground
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And hear the sentence of your moved prince.
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Three civil brawls, bred of an airy word,
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By thee, old Capulet, and Montague,
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Have thrice disturbd the quiet of our streets,
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And made Veronas ancient citizens
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Cast by their grave beseeming ornaments,
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To wield old partisans, in hands as old,
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Cankerd with peace, to part your cankerd hate.
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If ever you disturb our streets again,
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Your lives shall pay the forfeit of the peace.
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For this time all the rest depart away:
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You, Capulet, shall go along with me,
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And Montague, come you this afternoon,
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To know our farther pleasure in this case,
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To old Free-town, our common judgement-place.
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Once more, on pain of death, all men depart.
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[_Exeunt Prince and Attendants; Capulet, Lady Capulet, Tybalt,
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Citizens and Servants._]
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MONTAGUE.
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Who set this ancient quarrel new abroach?
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Speak, nephew, were you by when it began?
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BENVOLIO.
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Here were the servants of your adversary
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And yours, close fighting ere I did approach.
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I drew to part them, in the instant came
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The fiery Tybalt, with his sword prepard,
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Which, as he breathd defiance to my ears,
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He swung about his head, and cut the winds,
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Who nothing hurt withal, hissd him in scorn.
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While we were interchanging thrusts and blows
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Came more and more, and fought on part and part,
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Till the Prince came, who parted either part.
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LADY MONTAGUE.
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O where is Romeo, saw you him today?
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Right glad I am he was not at this fray.
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BENVOLIO.
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Madam, an hour before the worshippd sun
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Peerd forth the golden window of the east,
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A troubled mind drave me to walk abroad,
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Where underneath the grove of sycamore
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That westward rooteth from this city side,
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So early walking did I see your son.
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Towards him I made, but he was ware of me,
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And stole into the covert of the wood.
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I, measuring his affections by my own,
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Which then most sought where most might not be found,
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Being one too many by my weary self,
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Pursud my humour, not pursuing his,
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And gladly shunnd who gladly fled from me.
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MONTAGUE.
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Many a morning hath he there been seen,
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With tears augmenting the fresh mornings dew,
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Adding to clouds more clouds with his deep sighs;
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But all so soon as the all-cheering sun
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Should in the farthest east begin to draw
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The shady curtains from Auroras bed,
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Away from light steals home my heavy son,
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And private in his chamber pens himself,
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Shuts up his windows, locks fair daylight out
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And makes himself an artificial night.
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Black and portentous must this humour prove,
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Unless good counsel may the cause remove.
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BENVOLIO.
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My noble uncle, do you know the cause?
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MONTAGUE.
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I neither know it nor can learn of him.
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BENVOLIO.
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Have you importund him by any means?
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MONTAGUE.
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Both by myself and many other friends;
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But he, his own affections counsellor,
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Is to himselfI will not say how true
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But to himself so secret and so close,
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So far from sounding and discovery,
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As is the bud bit with an envious worm
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Ere he can spread his sweet leaves to the air,
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Or dedicate his beauty to the sun.
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Could we but learn from whence his sorrows grow,
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We would as willingly give cure as know.
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Enter Romeo.
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BENVOLIO.
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See, where he comes. So please you step aside;
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Ill know his grievance or be much denied.
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MONTAGUE.
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I would thou wert so happy by thy stay
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To hear true shrift. Come, madam, lets away,
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[_Exeunt Montague and Lady Montague._]
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BENVOLIO.
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Good morrow, cousin.
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ROMEO.
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Is the day so young?
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BENVOLIO.
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But new struck nine.
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ROMEO.
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Ay me, sad hours seem long.
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Was that my father that went hence so fast?
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BENVOLIO.
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It was. What sadness lengthens Romeos hours?
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ROMEO.
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Not having that which, having, makes them short.
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BENVOLIO.
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In love?
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ROMEO.
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Out.
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BENVOLIO.
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Of love?
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ROMEO.
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Out of her favour where I am in love.
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BENVOLIO.
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Alas that love so gentle in his view,
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Should be so tyrannous and rough in proof.
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ROMEO.
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Alas that love, whose view is muffled still,
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Should, without eyes, see pathways to his will!
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Where shall we dine? O me! What fray was here?
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Yet tell me not, for I have heard it all.
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Heres much to do with hate, but more with love:
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Why, then, O brawling love! O loving hate!
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O anything, of nothing first create!
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O heavy lightness! serious vanity!
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Misshapen chaos of well-seeming forms!
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Feather of lead, bright smoke, cold fire, sick health!
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Still-waking sleep, that is not what it is!
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This love feel I, that feel no love in this.
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Dost thou not laugh?
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BENVOLIO.
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No coz, I rather weep.
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ROMEO.
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Good heart, at what?
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BENVOLIO.
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At thy good hearts oppression.
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ROMEO.
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Why such is loves transgression.
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Griefs of mine own lie heavy in my breast,
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Which thou wilt propagate to have it prest
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With more of thine. This love that thou hast shown
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Doth add more grief to too much of mine own.
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Love is a smoke made with the fume of sighs;
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Being purgd, a fire sparkling in lovers eyes;
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Being vexd, a sea nourishd with lovers tears:
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What is it else? A madness most discreet,
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A choking gall, and a preserving sweet.
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Farewell, my coz.
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[_Going._]
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BENVOLIO.
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Soft! I will go along:
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And if you leave me so, you do me wrong.
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ROMEO.
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Tut! I have lost myself; I am not here.
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This is not Romeo, hes some other where.
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BENVOLIO.
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Tell me in sadness who is that you love?
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ROMEO.
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What, shall I groan and tell thee?
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BENVOLIO.
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Groan! Why, no; but sadly tell me who.
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ROMEO.
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Bid a sick man in sadness make his will,
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A word ill urgd to one that is so ill.
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In sadness, cousin, I do love a woman.
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BENVOLIO.
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I aimd so near when I supposd you lovd.
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ROMEO.
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A right good markman, and shes fair I love.
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BENVOLIO.
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A right fair mark, fair coz, is soonest hit.
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ROMEO.
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Well, in that hit you miss: shell not be hit
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With Cupids arrow, she hath Dians wit;
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And in strong proof of chastity well armd,
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From loves weak childish bow she lives uncharmd.
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She will not stay the siege of loving terms
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Nor bide thencounter of assailing eyes,
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Nor ope her lap to saint-seducing gold:
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O shes rich in beauty, only poor
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That when she dies, with beauty dies her store.
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BENVOLIO.
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Then she hath sworn that she will still live chaste?
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ROMEO.
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She hath, and in that sparing makes huge waste;
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For beauty starvd with her severity,
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Cuts beauty off from all posterity.
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She is too fair, too wise; wisely too fair,
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To merit bliss by making me despair.
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She hath forsworn to love, and in that vow
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Do I live dead, that live to tell it now.
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BENVOLIO.
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Be ruld by me, forget to think of her.
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ROMEO.
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O teach me how I should forget to think.
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BENVOLIO.
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By giving liberty unto thine eyes;
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Examine other beauties.
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|
|
ROMEO.
|
|
Tis the way
|
|
To call hers, exquisite, in question more.
|
|
These happy masks that kiss fair ladies brows,
|
|
Being black, puts us in mind they hide the fair;
|
|
He that is strucken blind cannot forget
|
|
The precious treasure of his eyesight lost.
|
|
Show me a mistress that is passing fair,
|
|
What doth her beauty serve but as a note
|
|
Where I may read who passd that passing fair?
|
|
Farewell, thou canst not teach me to forget.
|
|
|
|
BENVOLIO.
|
|
Ill pay that doctrine, or else die in debt.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE II. A Street.
|
|
|
|
Enter Capulet, Paris and Servant.
|
|
|
|
CAPULET.
|
|
But Montague is bound as well as I,
|
|
In penalty alike; and tis not hard, I think,
|
|
For men so old as we to keep the peace.
|
|
|
|
PARIS.
|
|
Of honourable reckoning are you both,
|
|
And pity tis you livd at odds so long.
|
|
But now my lord, what say you to my suit?
|
|
|
|
CAPULET.
|
|
But saying oer what I have said before.
|
|
My child is yet a stranger in the world,
|
|
She hath not seen the change of fourteen years;
|
|
Let two more summers wither in their pride
|
|
Ere we may think her ripe to be a bride.
|
|
|
|
PARIS.
|
|
Younger than she are happy mothers made.
|
|
|
|
CAPULET.
|
|
And too soon marrd are those so early made.
|
|
The earth hath swallowed all my hopes but she,
|
|
She is the hopeful lady of my earth:
|
|
But woo her, gentle Paris, get her heart,
|
|
My will to her consent is but a part;
|
|
And she agree, within her scope of choice
|
|
Lies my consent and fair according voice.
|
|
This night I hold an old accustomd feast,
|
|
Whereto I have invited many a guest,
|
|
Such as I love, and you among the store,
|
|
One more, most welcome, makes my number more.
|
|
At my poor house look to behold this night
|
|
Earth-treading stars that make dark heaven light:
|
|
Such comfort as do lusty young men feel
|
|
When well apparelld April on the heel
|
|
Of limping winter treads, even such delight
|
|
Among fresh female buds shall you this night
|
|
Inherit at my house. Hear all, all see,
|
|
And like her most whose merit most shall be:
|
|
Which, on more view of many, mine, being one,
|
|
May stand in number, though in reckoning none.
|
|
Come, go with me. Go, sirrah, trudge about
|
|
Through fair Verona; find those persons out
|
|
Whose names are written there, [_gives a paper_] and to them say,
|
|
My house and welcome on their pleasure stay.
|
|
|
|
[_Exeunt Capulet and Paris._]
|
|
|
|
SERVANT.
|
|
Find them out whose names are written here! It is written that the
|
|
shoemaker should meddle with his yard and the tailor with his last, the
|
|
fisher with his pencil, and the painter with his nets; but I am sent to
|
|
find those persons whose names are here writ, and can never find what
|
|
names the writing person hath here writ. I must to the learned. In good
|
|
time!
|
|
|
|
Enter Benvolio and Romeo.
|
|
|
|
BENVOLIO.
|
|
Tut, man, one fire burns out anothers burning,
|
|
One pain is lessend by anothers anguish;
|
|
Turn giddy, and be holp by backward turning;
|
|
One desperate grief cures with anothers languish:
|
|
Take thou some new infection to thy eye,
|
|
And the rank poison of the old will die.
|
|
|
|
ROMEO.
|
|
Your plantain leaf is excellent for that.
|
|
|
|
BENVOLIO.
|
|
For what, I pray thee?
|
|
|
|
ROMEO.
|
|
For your broken shin.
|
|
|
|
BENVOLIO.
|
|
Why, Romeo, art thou mad?
|
|
|
|
ROMEO.
|
|
Not mad, but bound more than a madman is:
|
|
Shut up in prison, kept without my food,
|
|
Whippd and tormented andGod-den, good fellow.
|
|
|
|
SERVANT.
|
|
God gi go-den. I pray, sir, can you read?
|
|
|
|
ROMEO.
|
|
Ay, mine own fortune in my misery.
|
|
|
|
SERVANT.
|
|
Perhaps you have learned it without book.
|
|
But I pray, can you read anything you see?
|
|
|
|
ROMEO.
|
|
Ay, If I know the letters and the language.
|
|
|
|
SERVANT.
|
|
Ye say honestly, rest you merry!
|
|
|
|
ROMEO.
|
|
Stay, fellow; I can read.
|
|
|
|
[_He reads the letter._]
|
|
|
|
_Signior Martino and his wife and daughters;
|
|
County Anselmo and his beauteous sisters;
|
|
The lady widow of Utruvio;
|
|
Signior Placentio and his lovely nieces;
|
|
Mercutio and his brother Valentine;
|
|
Mine uncle Capulet, his wife, and daughters;
|
|
My fair niece Rosaline and Livia;
|
|
Signior Valentio and his cousin Tybalt;
|
|
Lucio and the lively Helena. _
|
|
|
|
|
|
A fair assembly. [_Gives back the paper_] Whither should they come?
|
|
|
|
SERVANT.
|
|
Up.
|
|
|
|
ROMEO.
|
|
Whither to supper?
|
|
|
|
SERVANT.
|
|
To our house.
|
|
|
|
ROMEO.
|
|
Whose house?
|
|
|
|
SERVANT.
|
|
My masters.
|
|
|
|
ROMEO.
|
|
Indeed I should have askd you that before.
|
|
|
|
SERVANT.
|
|
Now Ill tell you without asking. My master is the great rich Capulet,
|
|
and if you be not of the house of Montagues, I pray come and crush a
|
|
cup of wine. Rest you merry.
|
|
|
|
[_Exit._]
|
|
|
|
BENVOLIO.
|
|
At this same ancient feast of Capulets
|
|
Sups the fair Rosaline whom thou so lovst;
|
|
With all the admired beauties of Verona.
|
|
Go thither and with unattainted eye,
|
|
Compare her face with some that I shall show,
|
|
And I will make thee think thy swan a crow.
|
|
|
|
ROMEO.
|
|
When the devout religion of mine eye
|
|
Maintains such falsehood, then turn tears to fire;
|
|
And these who, often drownd, could never die,
|
|
Transparent heretics, be burnt for liars.
|
|
One fairer than my love? The all-seeing sun
|
|
Neer saw her match since first the world begun.
|
|
|
|
BENVOLIO.
|
|
Tut, you saw her fair, none else being by,
|
|
Herself poisd with herself in either eye:
|
|
But in that crystal scales let there be weighd
|
|
Your ladys love against some other maid
|
|
That I will show you shining at this feast,
|
|
And she shall scant show well that now shows best.
|
|
|
|
ROMEO.
|
|
Ill go along, no such sight to be shown,
|
|
But to rejoice in splendour of my own.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE III. Room in Capulets House.
|
|
|
|
Enter Lady Capulet and Nurse.
|
|
|
|
LADY CAPULET.
|
|
Nurse, wheres my daughter? Call her forth to me.
|
|
|
|
NURSE.
|
|
Now, by my maidenhead, at twelve year old,
|
|
I bade her come. What, lamb! What ladybird!
|
|
God forbid! Wheres this girl? What, Juliet!
|
|
|
|
Enter Juliet.
|
|
|
|
JULIET.
|
|
How now, who calls?
|
|
|
|
NURSE.
|
|
Your mother.
|
|
|
|
JULIET.
|
|
Madam, I am here. What is your will?
|
|
|
|
LADY CAPULET.
|
|
This is the matter. Nurse, give leave awhile,
|
|
We must talk in secret. Nurse, come back again,
|
|
I have rememberd me, thous hear our counsel.
|
|
Thou knowest my daughters of a pretty age.
|
|
|
|
NURSE.
|
|
Faith, I can tell her age unto an hour.
|
|
|
|
LADY CAPULET.
|
|
Shes not fourteen.
|
|
|
|
NURSE.
|
|
Ill lay fourteen of my teeth,
|
|
And yet, to my teen be it spoken, I have but four,
|
|
She is not fourteen. How long is it now
|
|
To Lammas-tide?
|
|
|
|
LADY CAPULET.
|
|
A fortnight and odd days.
|
|
|
|
NURSE.
|
|
Even or odd, of all days in the year,
|
|
Come Lammas Eve at night shall she be fourteen.
|
|
Susan and she,God rest all Christian souls!
|
|
Were of an age. Well, Susan is with God;
|
|
She was too good for me. But as I said,
|
|
On Lammas Eve at night shall she be fourteen;
|
|
That shall she, marry; I remember it well.
|
|
Tis since the earthquake now eleven years;
|
|
And she was weand,I never shall forget it,
|
|
Of all the days of the year, upon that day:
|
|
For I had then laid wormwood to my dug,
|
|
Sitting in the sun under the dovehouse wall;
|
|
My lord and you were then at Mantua:
|
|
Nay, I do bear a brain. But as I said,
|
|
When it did taste the wormwood on the nipple
|
|
Of my dug and felt it bitter, pretty fool,
|
|
To see it tetchy, and fall out with the dug!
|
|
Shake, quoth the dovehouse: twas no need, I trow,
|
|
To bid me trudge.
|
|
And since that time it is eleven years;
|
|
For then she could stand alone; nay, by throod
|
|
She could have run and waddled all about;
|
|
For even the day before she broke her brow,
|
|
And then my husband,God be with his soul!
|
|
A was a merry man,took up the child:
|
|
Yea, quoth he, dost thou fall upon thy face?
|
|
Thou wilt fall backward when thou hast more wit;
|
|
Wilt thou not, Jule? and, by my holidame,
|
|
The pretty wretch left crying, and said Ay.
|
|
To see now how a jest shall come about.
|
|
I warrant, and I should live a thousand years,
|
|
I never should forget it. Wilt thou not, Jule? quoth he;
|
|
And, pretty fool, it stinted, and said Ay.
|
|
|
|
LADY CAPULET.
|
|
Enough of this; I pray thee hold thy peace.
|
|
|
|
NURSE.
|
|
Yes, madam, yet I cannot choose but laugh,
|
|
To think it should leave crying, and say Ay;
|
|
And yet I warrant it had upon it brow
|
|
A bump as big as a young cockerels stone;
|
|
A perilous knock, and it cried bitterly.
|
|
Yea, quoth my husband, fallst upon thy face?
|
|
Thou wilt fall backward when thou comest to age;
|
|
Wilt thou not, Jule? it stinted, and said Ay.
|
|
|
|
JULIET.
|
|
And stint thou too, I pray thee, Nurse, say I.
|
|
|
|
NURSE.
|
|
Peace, I have done. God mark thee to his grace
|
|
Thou wast the prettiest babe that eer I nursd:
|
|
And I might live to see thee married once, I have my wish.
|
|
|
|
LADY CAPULET.
|
|
Marry, that marry is the very theme
|
|
I came to talk of. Tell me, daughter Juliet,
|
|
How stands your disposition to be married?
|
|
|
|
JULIET.
|
|
It is an honour that I dream not of.
|
|
|
|
NURSE.
|
|
An honour! Were not I thine only nurse,
|
|
I would say thou hadst suckd wisdom from thy teat.
|
|
|
|
LADY CAPULET.
|
|
Well, think of marriage now: younger than you,
|
|
Here in Verona, ladies of esteem,
|
|
Are made already mothers. By my count
|
|
I was your mother much upon these years
|
|
That you are now a maid. Thus, then, in brief;
|
|
The valiant Paris seeks you for his love.
|
|
|
|
NURSE.
|
|
A man, young lady! Lady, such a man
|
|
As all the worldwhy hes a man of wax.
|
|
|
|
LADY CAPULET.
|
|
Veronas summer hath not such a flower.
|
|
|
|
NURSE.
|
|
Nay, hes a flower, in faith a very flower.
|
|
|
|
LADY CAPULET.
|
|
What say you, can you love the gentleman?
|
|
This night you shall behold him at our feast;
|
|
Read oer the volume of young Paris face,
|
|
And find delight writ there with beautys pen.
|
|
Examine every married lineament,
|
|
And see how one another lends content;
|
|
And what obscurd in this fair volume lies,
|
|
Find written in the margent of his eyes.
|
|
This precious book of love, this unbound lover,
|
|
To beautify him, only lacks a cover:
|
|
The fish lives in the sea; and tis much pride
|
|
For fair without the fair within to hide.
|
|
That book in manys eyes doth share the glory,
|
|
That in gold clasps locks in the golden story;
|
|
So shall you share all that he doth possess,
|
|
By having him, making yourself no less.
|
|
|
|
NURSE.
|
|
No less, nay bigger. Women grow by men.
|
|
|
|
LADY CAPULET.
|
|
Speak briefly, can you like of Paris love?
|
|
|
|
JULIET.
|
|
Ill look to like, if looking liking move:
|
|
But no more deep will I endart mine eye
|
|
Than your consent gives strength to make it fly.
|
|
|
|
Enter a Servant.
|
|
|
|
SERVANT.
|
|
Madam, the guests are come, supper served up, you called, my young lady
|
|
asked for, the Nurse cursed in the pantry, and everything in extremity.
|
|
I must hence to wait, I beseech you follow straight.
|
|
|
|
LADY CAPULET.
|
|
We follow thee.
|
|
|
|
[_Exit Servant._]
|
|
|
|
Juliet, the County stays.
|
|
|
|
NURSE.
|
|
Go, girl, seek happy nights to happy days.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE IV. A Street.
|
|
|
|
Enter Romeo, Mercutio, Benvolio, with five or six Maskers;
|
|
Torch-bearers and others.
|
|
|
|
ROMEO.
|
|
What, shall this speech be spoke for our excuse?
|
|
Or shall we on without apology?
|
|
|
|
BENVOLIO.
|
|
The date is out of such prolixity:
|
|
Well have no Cupid hoodwinkd with a scarf,
|
|
Bearing a Tartars painted bow of lath,
|
|
Scaring the ladies like a crow-keeper;
|
|
Nor no without-book prologue, faintly spoke
|
|
After the prompter, for our entrance:
|
|
But let them measure us by what they will,
|
|
Well measure them a measure, and be gone.
|
|
|
|
ROMEO.
|
|
Give me a torch, I am not for this ambling;
|
|
Being but heavy I will bear the light.
|
|
|
|
MERCUTIO.
|
|
Nay, gentle Romeo, we must have you dance.
|
|
|
|
ROMEO.
|
|
Not I, believe me, you have dancing shoes,
|
|
With nimble soles, I have a soul of lead
|
|
So stakes me to the ground I cannot move.
|
|
|
|
MERCUTIO.
|
|
You are a lover, borrow Cupids wings,
|
|
And soar with them above a common bound.
|
|
|
|
ROMEO.
|
|
I am too sore enpierced with his shaft
|
|
To soar with his light feathers, and so bound,
|
|
I cannot bound a pitch above dull woe.
|
|
Under loves heavy burden do I sink.
|
|
|
|
MERCUTIO.
|
|
And, to sink in it, should you burden love;
|
|
Too great oppression for a tender thing.
|
|
|
|
ROMEO.
|
|
Is love a tender thing? It is too rough,
|
|
Too rude, too boisterous; and it pricks like thorn.
|
|
|
|
MERCUTIO.
|
|
If love be rough with you, be rough with love;
|
|
Prick love for pricking, and you beat love down.
|
|
Give me a case to put my visage in: [_Putting on a mask._]
|
|
A visor for a visor. What care I
|
|
What curious eye doth quote deformities?
|
|
Here are the beetle-brows shall blush for me.
|
|
|
|
BENVOLIO.
|
|
Come, knock and enter; and no sooner in
|
|
But every man betake him to his legs.
|
|
|
|
ROMEO.
|
|
A torch for me: let wantons, light of heart,
|
|
Tickle the senseless rushes with their heels;
|
|
For I am proverbd with a grandsire phrase,
|
|
Ill be a candle-holder and look on,
|
|
The game was neer so fair, and I am done.
|
|
|
|
MERCUTIO.
|
|
Tut, duns the mouse, the constables own word:
|
|
If thou art dun, well draw thee from the mire
|
|
Or save your reverence love, wherein thou stickest
|
|
Up to the ears. Come, we burn daylight, ho.
|
|
|
|
ROMEO.
|
|
Nay, thats not so.
|
|
|
|
MERCUTIO.
|
|
I mean sir, in delay
|
|
We waste our lights in vain, light lights by day.
|
|
Take our good meaning, for our judgment sits
|
|
Five times in that ere once in our five wits.
|
|
|
|
ROMEO.
|
|
And we mean well in going to this mask;
|
|
But tis no wit to go.
|
|
|
|
MERCUTIO.
|
|
Why, may one ask?
|
|
|
|
ROMEO.
|
|
I dreamt a dream tonight.
|
|
|
|
MERCUTIO.
|
|
And so did I.
|
|
|
|
ROMEO.
|
|
Well what was yours?
|
|
|
|
MERCUTIO.
|
|
That dreamers often lie.
|
|
|
|
ROMEO.
|
|
In bed asleep, while they do dream things true.
|
|
|
|
MERCUTIO.
|
|
O, then, I see Queen Mab hath been with you.
|
|
She is the fairies midwife, and she comes
|
|
In shape no bigger than an agate-stone
|
|
On the fore-finger of an alderman,
|
|
Drawn with a team of little atomies
|
|
Over mens noses as they lie asleep:
|
|
Her waggon-spokes made of long spinners legs;
|
|
The cover, of the wings of grasshoppers;
|
|
Her traces, of the smallest spiders web;
|
|
The collars, of the moonshines watery beams;
|
|
Her whip of crickets bone; the lash, of film;
|
|
Her waggoner, a small grey-coated gnat,
|
|
Not half so big as a round little worm
|
|
Prickd from the lazy finger of a maid:
|
|
Her chariot is an empty hazelnut,
|
|
Made by the joiner squirrel or old grub,
|
|
Time out o mind the fairies coachmakers.
|
|
And in this state she gallops night by night
|
|
Through lovers brains, and then they dream of love;
|
|
Oer courtiers knees, that dream on curtsies straight;
|
|
Oer lawyers fingers, who straight dream on fees;
|
|
Oer ladies lips, who straight on kisses dream,
|
|
Which oft the angry Mab with blisters plagues,
|
|
Because their breaths with sweetmeats tainted are:
|
|
Sometime she gallops oer a courtiers nose,
|
|
And then dreams he of smelling out a suit;
|
|
And sometime comes she with a tithe-pigs tail,
|
|
Tickling a parsons nose as a lies asleep,
|
|
Then dreams he of another benefice:
|
|
Sometime she driveth oer a soldiers neck,
|
|
And then dreams he of cutting foreign throats,
|
|
Of breaches, ambuscados, Spanish blades,
|
|
Of healths five fathom deep; and then anon
|
|
Drums in his ear, at which he starts and wakes;
|
|
And, being thus frighted, swears a prayer or two,
|
|
And sleeps again. This is that very Mab
|
|
That plats the manes of horses in the night;
|
|
And bakes the elf-locks in foul sluttish hairs,
|
|
Which, once untangled, much misfortune bodes:
|
|
This is the hag, when maids lie on their backs,
|
|
That presses them, and learns them first to bear,
|
|
Making them women of good carriage:
|
|
This is she,
|
|
|
|
ROMEO.
|
|
Peace, peace, Mercutio, peace,
|
|
Thou talkst of nothing.
|
|
|
|
MERCUTIO.
|
|
True, I talk of dreams,
|
|
Which are the children of an idle brain,
|
|
Begot of nothing but vain fantasy,
|
|
Which is as thin of substance as the air,
|
|
And more inconstant than the wind, who woos
|
|
Even now the frozen bosom of the north,
|
|
And, being angerd, puffs away from thence,
|
|
Turning his side to the dew-dropping south.
|
|
|
|
BENVOLIO.
|
|
This wind you talk of blows us from ourselves:
|
|
Supper is done, and we shall come too late.
|
|
|
|
ROMEO.
|
|
I fear too early: for my mind misgives
|
|
Some consequence yet hanging in the stars,
|
|
Shall bitterly begin his fearful date
|
|
With this nights revels; and expire the term
|
|
Of a despised life, closd in my breast
|
|
By some vile forfeit of untimely death.
|
|
But he that hath the steerage of my course
|
|
Direct my suit. On, lusty gentlemen!
|
|
|
|
BENVOLIO.
|
|
Strike, drum.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE V. A Hall in Capulets House.
|
|
|
|
Musicians waiting. Enter Servants.
|
|
|
|
FIRST SERVANT.
|
|
Wheres Potpan, that he helps not to take away?
|
|
He shift a trencher! He scrape a trencher!
|
|
|
|
SECOND SERVANT.
|
|
When good manners shall lie all in one or two mens hands, and they
|
|
unwashd too, tis a foul thing.
|
|
|
|
FIRST SERVANT.
|
|
Away with the join-stools, remove the court-cupboard, look to the
|
|
plate. Good thou, save me a piece of marchpane; and as thou loves me,
|
|
let the porter let in Susan Grindstone and Nell. Antony and Potpan!
|
|
|
|
SECOND SERVANT.
|
|
Ay, boy, ready.
|
|
|
|
FIRST SERVANT.
|
|
You are looked for and called for, asked for and sought for, in the
|
|
great chamber.
|
|
|
|
SECOND SERVANT.
|
|
We cannot be here and there too. Cheerly, boys. Be brisk awhile, and
|
|
the longer liver take all.
|
|
|
|
[_Exeunt._]
|
|
|
|
Enter Capulet, &c. with the Guests and Gentlewomen to the Maskers.
|
|
|
|
CAPULET.
|
|
Welcome, gentlemen, ladies that have their toes
|
|
Unplagud with corns will have a bout with you.
|
|
Ah my mistresses, which of you all
|
|
Will now deny to dance? She that makes dainty,
|
|
She Ill swear hath corns. Am I come near ye now?
|
|
Welcome, gentlemen! I have seen the day
|
|
That I have worn a visor, and could tell
|
|
A whispering tale in a fair ladys ear,
|
|
Such as would please; tis gone, tis gone, tis gone,
|
|
You are welcome, gentlemen! Come, musicians, play.
|
|
A hall, a hall, give room! And foot it, girls.
|
|
|
|
[_Music plays, and they dance._]
|
|
|
|
More light, you knaves; and turn the tables up,
|
|
And quench the fire, the room is grown too hot.
|
|
Ah sirrah, this unlookd-for sport comes well.
|
|
Nay sit, nay sit, good cousin Capulet,
|
|
For you and I are past our dancing days;
|
|
How long ist now since last yourself and I
|
|
Were in a mask?
|
|
|
|
CAPULETS COUSIN.
|
|
Byr Lady, thirty years.
|
|
|
|
CAPULET.
|
|
What, man, tis not so much, tis not so much:
|
|
Tis since the nuptial of Lucentio,
|
|
Come Pentecost as quickly as it will,
|
|
Some five and twenty years; and then we maskd.
|
|
|
|
CAPULETS COUSIN.
|
|
Tis more, tis more, his son is elder, sir;
|
|
His son is thirty.
|
|
|
|
CAPULET.
|
|
Will you tell me that?
|
|
His son was but a ward two years ago.
|
|
|
|
ROMEO.
|
|
What lady is that, which doth enrich the hand
|
|
Of yonder knight?
|
|
|
|
SERVANT.
|
|
I know not, sir.
|
|
|
|
ROMEO.
|
|
O, she doth teach the torches to burn bright!
|
|
It seems she hangs upon the cheek of night
|
|
As a rich jewel in an Ethiops ear;
|
|
Beauty too rich for use, for earth too dear!
|
|
So shows a snowy dove trooping with crows
|
|
As yonder lady oer her fellows shows.
|
|
The measure done, Ill watch her place of stand,
|
|
And touching hers, make blessed my rude hand.
|
|
Did my heart love till now? Forswear it, sight!
|
|
For I neer saw true beauty till this night.
|
|
|
|
TYBALT.
|
|
This by his voice, should be a Montague.
|
|
Fetch me my rapier, boy. What, dares the slave
|
|
Come hither, coverd with an antic face,
|
|
To fleer and scorn at our solemnity?
|
|
Now by the stock and honour of my kin,
|
|
To strike him dead I hold it not a sin.
|
|
|
|
CAPULET.
|
|
Why how now, kinsman!
|
|
Wherefore storm you so?
|
|
|
|
TYBALT.
|
|
Uncle, this is a Montague, our foe;
|
|
A villain that is hither come in spite,
|
|
To scorn at our solemnity this night.
|
|
|
|
CAPULET.
|
|
Young Romeo, is it?
|
|
|
|
TYBALT.
|
|
Tis he, that villain Romeo.
|
|
|
|
CAPULET.
|
|
Content thee, gentle coz, let him alone,
|
|
A bears him like a portly gentleman;
|
|
And, to say truth, Verona brags of him
|
|
To be a virtuous and well-governd youth.
|
|
I would not for the wealth of all the town
|
|
Here in my house do him disparagement.
|
|
Therefore be patient, take no note of him,
|
|
It is my will; the which if thou respect,
|
|
Show a fair presence and put off these frowns,
|
|
An ill-beseeming semblance for a feast.
|
|
|
|
TYBALT.
|
|
It fits when such a villain is a guest:
|
|
Ill not endure him.
|
|
|
|
CAPULET.
|
|
He shall be endurd.
|
|
What, goodman boy! I say he shall, go to;
|
|
Am I the master here, or you? Go to.
|
|
Youll not endure him! God shall mend my soul,
|
|
Youll make a mutiny among my guests!
|
|
You will set cock-a-hoop, youll be the man!
|
|
|
|
TYBALT.
|
|
Why, uncle, tis a shame.
|
|
|
|
CAPULET.
|
|
Go to, go to!
|
|
You are a saucy boy. Ist so, indeed?
|
|
This trick may chance to scathe you, I know what.
|
|
You must contrary me! Marry, tis time.
|
|
Well said, my hearts!You are a princox; go:
|
|
Be quiet, orMore light, more light!For shame!
|
|
Ill make you quiet. What, cheerly, my hearts.
|
|
|
|
TYBALT.
|
|
Patience perforce with wilful choler meeting
|
|
Makes my flesh tremble in their different greeting.
|
|
I will withdraw: but this intrusion shall,
|
|
Now seeming sweet, convert to bitter gall.
|
|
|
|
[_Exit._]
|
|
|
|
ROMEO.
|
|
[_To Juliet._] If I profane with my unworthiest hand
|
|
This holy shrine, the gentle sin is this,
|
|
My lips, two blushing pilgrims, ready stand
|
|
To smooth that rough touch with a tender kiss.
|
|
|
|
JULIET.
|
|
Good pilgrim, you do wrong your hand too much,
|
|
Which mannerly devotion shows in this;
|
|
For saints have hands that pilgrims hands do touch,
|
|
And palm to palm is holy palmers kiss.
|
|
|
|
ROMEO.
|
|
Have not saints lips, and holy palmers too?
|
|
|
|
JULIET.
|
|
Ay, pilgrim, lips that they must use in prayer.
|
|
|
|
ROMEO.
|
|
O, then, dear saint, let lips do what hands do:
|
|
They pray, grant thou, lest faith turn to despair.
|
|
|
|
JULIET.
|
|
Saints do not move, though grant for prayers sake.
|
|
|
|
ROMEO.
|
|
Then move not while my prayers effect I take.
|
|
Thus from my lips, by thine my sin is purgd.
|
|
[_Kissing her._]
|
|
|
|
JULIET.
|
|
Then have my lips the sin that they have took.
|
|
|
|
ROMEO.
|
|
Sin from my lips? O trespass sweetly urgd!
|
|
Give me my sin again.
|
|
|
|
JULIET.
|
|
You kiss by the book.
|
|
|
|
NURSE.
|
|
Madam, your mother craves a word with you.
|
|
|
|
ROMEO.
|
|
What is her mother?
|
|
|
|
NURSE.
|
|
Marry, bachelor,
|
|
Her mother is the lady of the house,
|
|
And a good lady, and a wise and virtuous.
|
|
I nursd her daughter that you talkd withal.
|
|
I tell you, he that can lay hold of her
|
|
Shall have the chinks.
|
|
|
|
ROMEO.
|
|
Is she a Capulet?
|
|
O dear account! My life is my foes debt.
|
|
|
|
BENVOLIO.
|
|
Away, be gone; the sport is at the best.
|
|
|
|
ROMEO.
|
|
Ay, so I fear; the more is my unrest.
|
|
|
|
CAPULET.
|
|
Nay, gentlemen, prepare not to be gone,
|
|
We have a trifling foolish banquet towards.
|
|
Is it een so? Why then, I thank you all;
|
|
I thank you, honest gentlemen; good night.
|
|
More torches here! Come on then, lets to bed.
|
|
Ah, sirrah, by my fay, it waxes late,
|
|
Ill to my rest.
|
|
|
|
[_Exeunt all but Juliet and Nurse._]
|
|
|
|
JULIET.
|
|
Come hither, Nurse. What is yond gentleman?
|
|
|
|
NURSE.
|
|
The son and heir of old Tiberio.
|
|
|
|
JULIET.
|
|
Whats he that now is going out of door?
|
|
|
|
NURSE.
|
|
Marry, that I think be young Petruchio.
|
|
|
|
JULIET.
|
|
Whats he that follows here, that would not dance?
|
|
|
|
NURSE.
|
|
I know not.
|
|
|
|
JULIET.
|
|
Go ask his name. If he be married,
|
|
My grave is like to be my wedding bed.
|
|
|
|
NURSE.
|
|
His name is Romeo, and a Montague,
|
|
The only son of your great enemy.
|
|
|
|
JULIET.
|
|
My only love sprung from my only hate!
|
|
Too early seen unknown, and known too late!
|
|
Prodigious birth of love it is to me,
|
|
That I must love a loathed enemy.
|
|
|
|
NURSE.
|
|
Whats this? Whats this?
|
|
|
|
JULIET.
|
|
A rhyme I learnd even now
|
|
Of one I dancd withal.
|
|
|
|
[_One calls within, Juliet._]
|
|
|
|
NURSE.
|
|
Anon, anon!
|
|
Come lets away, the strangers all are gone.
|
|
|
|
[_Exeunt._]
|
|
|
|
|
|
|
|
|
|
ACT II
|
|
|
|
|
|
Enter Chorus.
|
|
|
|
CHORUS.
|
|
Now old desire doth in his deathbed lie,
|
|
And young affection gapes to be his heir;
|
|
That fair for which love groand for and would die,
|
|
With tender Juliet matchd, is now not fair.
|
|
Now Romeo is belovd, and loves again,
|
|
Alike bewitched by the charm of looks;
|
|
But to his foe supposd he must complain,
|
|
And she steal loves sweet bait from fearful hooks:
|
|
Being held a foe, he may not have access
|
|
To breathe such vows as lovers use to swear;
|
|
And she as much in love, her means much less
|
|
To meet her new beloved anywhere.
|
|
But passion lends them power, time means, to meet,
|
|
Tempering extremities with extreme sweet.
|
|
|
|
[_Exit._]
|
|
|
|
SCENE I. An open place adjoining Capulets Garden.
|
|
|
|
Enter Romeo.
|
|
|
|
ROMEO.
|
|
Can I go forward when my heart is here?
|
|
Turn back, dull earth, and find thy centre out.
|
|
|
|
[_He climbs the wall and leaps down within it._]
|
|
|
|
Enter Benvolio and Mercutio.
|
|
|
|
BENVOLIO.
|
|
Romeo! My cousin Romeo! Romeo!
|
|
|
|
MERCUTIO.
|
|
He is wise,
|
|
And on my life hath stoln him home to bed.
|
|
|
|
BENVOLIO.
|
|
He ran this way, and leapd this orchard wall:
|
|
Call, good Mercutio.
|
|
|
|
MERCUTIO.
|
|
Nay, Ill conjure too.
|
|
Romeo! Humours! Madman! Passion! Lover!
|
|
Appear thou in the likeness of a sigh,
|
|
Speak but one rhyme, and I am satisfied;
|
|
Cry but Ah me! Pronounce but Love and dove;
|
|
Speak to my gossip Venus one fair word,
|
|
One nickname for her purblind son and heir,
|
|
Young Abraham Cupid, he that shot so trim
|
|
When King Cophetua lovd the beggar-maid.
|
|
He heareth not, he stirreth not, he moveth not;
|
|
The ape is dead, and I must conjure him.
|
|
I conjure thee by Rosalines bright eyes,
|
|
By her high forehead and her scarlet lip,
|
|
By her fine foot, straight leg, and quivering thigh,
|
|
And the demesnes that there adjacent lie,
|
|
That in thy likeness thou appear to us.
|
|
|
|
BENVOLIO.
|
|
An if he hear thee, thou wilt anger him.
|
|
|
|
MERCUTIO.
|
|
This cannot anger him. Twould anger him
|
|
To raise a spirit in his mistress circle,
|
|
Of some strange nature, letting it there stand
|
|
Till she had laid it, and conjurd it down;
|
|
That were some spite. My invocation
|
|
Is fair and honest, and, in his mistress name,
|
|
I conjure only but to raise up him.
|
|
|
|
BENVOLIO.
|
|
Come, he hath hid himself among these trees
|
|
To be consorted with the humorous night.
|
|
Blind is his love, and best befits the dark.
|
|
|
|
MERCUTIO.
|
|
If love be blind, love cannot hit the mark.
|
|
Now will he sit under a medlar tree,
|
|
And wish his mistress were that kind of fruit
|
|
As maids call medlars when they laugh alone.
|
|
O Romeo, that she were, O that she were
|
|
An open-arse and thou a poperin pear!
|
|
Romeo, good night. Ill to my truckle-bed.
|
|
This field-bed is too cold for me to sleep.
|
|
Come, shall we go?
|
|
|
|
BENVOLIO.
|
|
Go then; for tis in vain
|
|
To seek him here that means not to be found.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE II. Capulets Garden.
|
|
|
|
Enter Romeo.
|
|
|
|
ROMEO.
|
|
He jests at scars that never felt a wound.
|
|
|
|
Juliet appears above at a window.
|
|
|
|
But soft, what light through yonder window breaks?
|
|
It is the east, and Juliet is the sun!
|
|
Arise fair sun and kill the envious moon,
|
|
Who is already sick and pale with grief,
|
|
That thou her maid art far more fair than she.
|
|
Be not her maid since she is envious;
|
|
Her vestal livery is but sick and green,
|
|
And none but fools do wear it; cast it off.
|
|
It is my lady, O it is my love!
|
|
O, that she knew she were!
|
|
She speaks, yet she says nothing. What of that?
|
|
Her eye discourses, I will answer it.
|
|
I am too bold, tis not to me she speaks.
|
|
Two of the fairest stars in all the heaven,
|
|
Having some business, do entreat her eyes
|
|
To twinkle in their spheres till they return.
|
|
What if her eyes were there, they in her head?
|
|
The brightness of her cheek would shame those stars,
|
|
As daylight doth a lamp; her eyes in heaven
|
|
Would through the airy region stream so bright
|
|
That birds would sing and think it were not night.
|
|
See how she leans her cheek upon her hand.
|
|
O that I were a glove upon that hand,
|
|
That I might touch that cheek.
|
|
|
|
JULIET.
|
|
Ay me.
|
|
|
|
ROMEO.
|
|
She speaks.
|
|
O speak again bright angel, for thou art
|
|
As glorious to this night, being oer my head,
|
|
As is a winged messenger of heaven
|
|
Unto the white-upturned wondering eyes
|
|
Of mortals that fall back to gaze on him
|
|
When he bestrides the lazy-puffing clouds
|
|
And sails upon the bosom of the air.
|
|
|
|
JULIET.
|
|
O Romeo, Romeo, wherefore art thou Romeo?
|
|
Deny thy father and refuse thy name.
|
|
Or if thou wilt not, be but sworn my love,
|
|
And Ill no longer be a Capulet.
|
|
|
|
ROMEO.
|
|
[_Aside._] Shall I hear more, or shall I speak at this?
|
|
|
|
JULIET.
|
|
Tis but thy name that is my enemy;
|
|
Thou art thyself, though not a Montague.
|
|
Whats Montague? It is nor hand nor foot,
|
|
Nor arm, nor face, nor any other part
|
|
Belonging to a man. O be some other name.
|
|
Whats in a name? That which we call a rose
|
|
By any other name would smell as sweet;
|
|
So Romeo would, were he not Romeo calld,
|
|
Retain that dear perfection which he owes
|
|
Without that title. Romeo, doff thy name,
|
|
And for thy name, which is no part of thee,
|
|
Take all myself.
|
|
|
|
ROMEO.
|
|
I take thee at thy word.
|
|
Call me but love, and Ill be new baptisd;
|
|
Henceforth I never will be Romeo.
|
|
|
|
JULIET.
|
|
What man art thou that, thus bescreend in night
|
|
So stumblest on my counsel?
|
|
|
|
ROMEO.
|
|
By a name
|
|
I know not how to tell thee who I am:
|
|
My name, dear saint, is hateful to myself,
|
|
Because it is an enemy to thee.
|
|
Had I it written, I would tear the word.
|
|
|
|
JULIET.
|
|
My ears have yet not drunk a hundred words
|
|
Of thy tongues utterance, yet I know the sound.
|
|
Art thou not Romeo, and a Montague?
|
|
|
|
ROMEO.
|
|
Neither, fair maid, if either thee dislike.
|
|
|
|
JULIET.
|
|
How camst thou hither, tell me, and wherefore?
|
|
The orchard walls are high and hard to climb,
|
|
And the place death, considering who thou art,
|
|
If any of my kinsmen find thee here.
|
|
|
|
ROMEO.
|
|
With loves light wings did I oerperch these walls,
|
|
For stony limits cannot hold love out,
|
|
And what love can do, that dares love attempt:
|
|
Therefore thy kinsmen are no stop to me.
|
|
|
|
JULIET.
|
|
If they do see thee, they will murder thee.
|
|
|
|
ROMEO.
|
|
Alack, there lies more peril in thine eye
|
|
Than twenty of their swords. Look thou but sweet,
|
|
And I am proof against their enmity.
|
|
|
|
JULIET.
|
|
I would not for the world they saw thee here.
|
|
|
|
ROMEO.
|
|
I have nights cloak to hide me from their eyes,
|
|
And but thou love me, let them find me here.
|
|
My life were better ended by their hate
|
|
Than death prorogued, wanting of thy love.
|
|
|
|
JULIET.
|
|
By whose direction foundst thou out this place?
|
|
|
|
ROMEO.
|
|
By love, that first did prompt me to enquire;
|
|
He lent me counsel, and I lent him eyes.
|
|
I am no pilot; yet wert thou as far
|
|
As that vast shore washd with the farthest sea,
|
|
I should adventure for such merchandise.
|
|
|
|
JULIET.
|
|
Thou knowest the mask of night is on my face,
|
|
Else would a maiden blush bepaint my cheek
|
|
For that which thou hast heard me speak tonight.
|
|
Fain would I dwell on form, fain, fain deny
|
|
What I have spoke; but farewell compliment.
|
|
Dost thou love me? I know thou wilt say Ay,
|
|
And I will take thy word. Yet, if thou swearst,
|
|
Thou mayst prove false. At lovers perjuries,
|
|
They say Jove laughs. O gentle Romeo,
|
|
If thou dost love, pronounce it faithfully.
|
|
Or if thou thinkest I am too quickly won,
|
|
Ill frown and be perverse, and say thee nay,
|
|
So thou wilt woo. But else, not for the world.
|
|
In truth, fair Montague, I am too fond;
|
|
And therefore thou mayst think my haviour light:
|
|
But trust me, gentleman, Ill prove more true
|
|
Than those that have more cunning to be strange.
|
|
I should have been more strange, I must confess,
|
|
But that thou overheardst, ere I was ware,
|
|
My true-love passion; therefore pardon me,
|
|
And not impute this yielding to light love,
|
|
Which the dark night hath so discovered.
|
|
|
|
ROMEO.
|
|
Lady, by yonder blessed moon I vow,
|
|
That tips with silver all these fruit-tree tops,
|
|
|
|
JULIET.
|
|
O swear not by the moon, thinconstant moon,
|
|
That monthly changes in her circled orb,
|
|
Lest that thy love prove likewise variable.
|
|
|
|
ROMEO.
|
|
What shall I swear by?
|
|
|
|
JULIET.
|
|
Do not swear at all.
|
|
Or if thou wilt, swear by thy gracious self,
|
|
Which is the god of my idolatry,
|
|
And Ill believe thee.
|
|
|
|
ROMEO.
|
|
If my hearts dear love,
|
|
|
|
JULIET.
|
|
Well, do not swear. Although I joy in thee,
|
|
I have no joy of this contract tonight;
|
|
It is too rash, too unadvisd, too sudden,
|
|
Too like the lightning, which doth cease to be
|
|
Ere one can say It lightens. Sweet, good night.
|
|
This bud of love, by summers ripening breath,
|
|
May prove a beauteous flower when next we meet.
|
|
Good night, good night. As sweet repose and rest
|
|
Come to thy heart as that within my breast.
|
|
|
|
ROMEO.
|
|
O wilt thou leave me so unsatisfied?
|
|
|
|
JULIET.
|
|
What satisfaction canst thou have tonight?
|
|
|
|
ROMEO.
|
|
Thexchange of thy loves faithful vow for mine.
|
|
|
|
JULIET.
|
|
I gave thee mine before thou didst request it;
|
|
And yet I would it were to give again.
|
|
|
|
ROMEO.
|
|
Wouldst thou withdraw it? For what purpose, love?
|
|
|
|
JULIET.
|
|
But to be frank and give it thee again.
|
|
And yet I wish but for the thing I have;
|
|
My bounty is as boundless as the sea,
|
|
My love as deep; the more I give to thee,
|
|
The more I have, for both are infinite.
|
|
I hear some noise within. Dear love, adieu.
|
|
[_Nurse calls within._]
|
|
Anon, good Nurse!Sweet Montague be true.
|
|
Stay but a little, I will come again.
|
|
|
|
[_Exit._]
|
|
|
|
ROMEO.
|
|
O blessed, blessed night. I am afeard,
|
|
Being in night, all this is but a dream,
|
|
Too flattering sweet to be substantial.
|
|
|
|
Enter Juliet above.
|
|
|
|
JULIET.
|
|
Three words, dear Romeo, and good night indeed.
|
|
If that thy bent of love be honourable,
|
|
Thy purpose marriage, send me word tomorrow,
|
|
By one that Ill procure to come to thee,
|
|
Where and what time thou wilt perform the rite,
|
|
And all my fortunes at thy foot Ill lay
|
|
And follow thee my lord throughout the world.
|
|
|
|
NURSE.
|
|
[_Within._] Madam.
|
|
|
|
JULIET.
|
|
I come, anon. But if thou meanest not well,
|
|
I do beseech thee,
|
|
|
|
NURSE.
|
|
[_Within._] Madam.
|
|
|
|
JULIET.
|
|
By and by I come
|
|
To cease thy strife and leave me to my grief.
|
|
Tomorrow will I send.
|
|
|
|
ROMEO.
|
|
So thrive my soul,
|
|
|
|
JULIET.
|
|
A thousand times good night.
|
|
|
|
[_Exit._]
|
|
|
|
ROMEO.
|
|
A thousand times the worse, to want thy light.
|
|
Love goes toward love as schoolboys from their books,
|
|
But love from love, towards school with heavy looks.
|
|
|
|
[_Retiring slowly._]
|
|
|
|
Re-enter Juliet, above.
|
|
|
|
JULIET.
|
|
Hist! Romeo, hist! O for a falconers voice
|
|
To lure this tassel-gentle back again.
|
|
Bondage is hoarse and may not speak aloud,
|
|
Else would I tear the cave where Echo lies,
|
|
And make her airy tongue more hoarse than mine
|
|
With repetition of my Romeos name.
|
|
|
|
ROMEO.
|
|
It is my soul that calls upon my name.
|
|
How silver-sweet sound lovers tongues by night,
|
|
Like softest music to attending ears.
|
|
|
|
JULIET.
|
|
Romeo.
|
|
|
|
ROMEO.
|
|
My dear?
|
|
|
|
JULIET.
|
|
What oclock tomorrow
|
|
Shall I send to thee?
|
|
|
|
ROMEO.
|
|
By the hour of nine.
|
|
|
|
JULIET.
|
|
I will not fail. Tis twenty years till then.
|
|
I have forgot why I did call thee back.
|
|
|
|
ROMEO.
|
|
Let me stand here till thou remember it.
|
|
|
|
JULIET.
|
|
I shall forget, to have thee still stand there,
|
|
Remembering how I love thy company.
|
|
|
|
ROMEO.
|
|
And Ill still stay, to have thee still forget,
|
|
Forgetting any other home but this.
|
|
|
|
JULIET.
|
|
Tis almost morning; I would have thee gone,
|
|
And yet no farther than a wantons bird,
|
|
That lets it hop a little from her hand,
|
|
Like a poor prisoner in his twisted gyves,
|
|
And with a silk thread plucks it back again,
|
|
So loving-jealous of his liberty.
|
|
|
|
ROMEO.
|
|
I would I were thy bird.
|
|
|
|
JULIET.
|
|
Sweet, so would I:
|
|
Yet I should kill thee with much cherishing.
|
|
Good night, good night. Parting is such sweet sorrow
|
|
That I shall say good night till it be morrow.
|
|
|
|
[_Exit._]
|
|
|
|
ROMEO.
|
|
Sleep dwell upon thine eyes, peace in thy breast.
|
|
Would I were sleep and peace, so sweet to rest.
|
|
Hence will I to my ghostly Sires cell,
|
|
His help to crave and my dear hap to tell.
|
|
|
|
[_Exit._]
|
|
|
|
SCENE III. Friar Lawrences Cell.
|
|
|
|
Enter Friar Lawrence with a basket.
|
|
|
|
FRIAR LAWRENCE.
|
|
The grey-eyd morn smiles on the frowning night,
|
|
Chequering the eastern clouds with streaks of light;
|
|
And fleckled darkness like a drunkard reels
|
|
From forth days pathway, made by Titans fiery wheels
|
|
Now, ere the sun advance his burning eye,
|
|
The day to cheer, and nights dank dew to dry,
|
|
I must upfill this osier cage of ours
|
|
With baleful weeds and precious-juiced flowers.
|
|
The earth thats natures mother, is her tomb;
|
|
What is her burying grave, that is her womb:
|
|
And from her womb children of divers kind
|
|
We sucking on her natural bosom find.
|
|
Many for many virtues excellent,
|
|
None but for some, and yet all different.
|
|
O, mickle is the powerful grace that lies
|
|
In plants, herbs, stones, and their true qualities.
|
|
For naught so vile that on the earth doth live
|
|
But to the earth some special good doth give;
|
|
Nor aught so good but, straind from that fair use,
|
|
Revolts from true birth, stumbling on abuse.
|
|
Virtue itself turns vice being misapplied,
|
|
And vice sometimes by action dignified.
|
|
|
|
Enter Romeo.
|
|
|
|
Within the infant rind of this weak flower
|
|
Poison hath residence, and medicine power:
|
|
For this, being smelt, with that part cheers each part;
|
|
Being tasted, slays all senses with the heart.
|
|
Two such opposed kings encamp them still
|
|
In man as well as herbs,grace and rude will;
|
|
And where the worser is predominant,
|
|
Full soon the canker death eats up that plant.
|
|
|
|
ROMEO.
|
|
Good morrow, father.
|
|
|
|
FRIAR LAWRENCE.
|
|
Benedicite!
|
|
What early tongue so sweet saluteth me?
|
|
Young son, it argues a distemperd head
|
|
So soon to bid good morrow to thy bed.
|
|
Care keeps his watch in every old mans eye,
|
|
And where care lodges sleep will never lie;
|
|
But where unbruised youth with unstuffd brain
|
|
Doth couch his limbs, there golden sleep doth reign.
|
|
Therefore thy earliness doth me assure
|
|
Thou art uprousd with some distemperature;
|
|
Or if not so, then here I hit it right,
|
|
Our Romeo hath not been in bed tonight.
|
|
|
|
ROMEO.
|
|
That last is true; the sweeter rest was mine.
|
|
|
|
FRIAR LAWRENCE.
|
|
God pardon sin. Wast thou with Rosaline?
|
|
|
|
ROMEO.
|
|
With Rosaline, my ghostly father? No.
|
|
I have forgot that name, and that names woe.
|
|
|
|
FRIAR LAWRENCE.
|
|
Thats my good son. But where hast thou been then?
|
|
|
|
ROMEO.
|
|
Ill tell thee ere thou ask it me again.
|
|
I have been feasting with mine enemy,
|
|
Where on a sudden one hath wounded me
|
|
Thats by me wounded. Both our remedies
|
|
Within thy help and holy physic lies.
|
|
I bear no hatred, blessed man; for lo,
|
|
My intercession likewise steads my foe.
|
|
|
|
FRIAR LAWRENCE.
|
|
Be plain, good son, and homely in thy drift;
|
|
Riddling confession finds but riddling shrift.
|
|
|
|
ROMEO.
|
|
Then plainly know my hearts dear love is set
|
|
On the fair daughter of rich Capulet.
|
|
As mine on hers, so hers is set on mine;
|
|
And all combind, save what thou must combine
|
|
By holy marriage. When, and where, and how
|
|
We met, we wood, and made exchange of vow,
|
|
Ill tell thee as we pass; but this I pray,
|
|
That thou consent to marry us today.
|
|
|
|
FRIAR LAWRENCE.
|
|
Holy Saint Francis! What a change is here!
|
|
Is Rosaline, that thou didst love so dear,
|
|
So soon forsaken? Young mens love then lies
|
|
Not truly in their hearts, but in their eyes.
|
|
Jesu Maria, what a deal of brine
|
|
Hath washd thy sallow cheeks for Rosaline!
|
|
How much salt water thrown away in waste,
|
|
To season love, that of it doth not taste.
|
|
The sun not yet thy sighs from heaven clears,
|
|
Thy old groans yet ring in mine ancient ears.
|
|
Lo here upon thy cheek the stain doth sit
|
|
Of an old tear that is not washd off yet.
|
|
If ere thou wast thyself, and these woes thine,
|
|
Thou and these woes were all for Rosaline,
|
|
And art thou changd? Pronounce this sentence then,
|
|
Women may fall, when theres no strength in men.
|
|
|
|
ROMEO.
|
|
Thou chiddst me oft for loving Rosaline.
|
|
|
|
FRIAR LAWRENCE.
|
|
For doting, not for loving, pupil mine.
|
|
|
|
ROMEO.
|
|
And badst me bury love.
|
|
|
|
FRIAR LAWRENCE.
|
|
Not in a grave
|
|
To lay one in, another out to have.
|
|
|
|
ROMEO.
|
|
I pray thee chide me not, her I love now
|
|
Doth grace for grace and love for love allow.
|
|
The other did not so.
|
|
|
|
FRIAR LAWRENCE.
|
|
O, she knew well
|
|
Thy love did read by rote, that could not spell.
|
|
But come young waverer, come go with me,
|
|
In one respect Ill thy assistant be;
|
|
For this alliance may so happy prove,
|
|
To turn your households rancour to pure love.
|
|
|
|
ROMEO.
|
|
O let us hence; I stand on sudden haste.
|
|
|
|
FRIAR LAWRENCE.
|
|
Wisely and slow; they stumble that run fast.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE IV. A Street.
|
|
|
|
Enter Benvolio and Mercutio.
|
|
|
|
MERCUTIO.
|
|
Where the devil should this Romeo be? Came he not home tonight?
|
|
|
|
BENVOLIO.
|
|
Not to his fathers; I spoke with his man.
|
|
|
|
MERCUTIO.
|
|
Why, that same pale hard-hearted wench, that Rosaline, torments him so
|
|
that he will sure run mad.
|
|
|
|
BENVOLIO.
|
|
Tybalt, the kinsman to old Capulet, hath sent a letter to his fathers
|
|
house.
|
|
|
|
MERCUTIO.
|
|
A challenge, on my life.
|
|
|
|
BENVOLIO.
|
|
Romeo will answer it.
|
|
|
|
MERCUTIO.
|
|
Any man that can write may answer a letter.
|
|
|
|
BENVOLIO.
|
|
Nay, he will answer the letters master, how he dares, being dared.
|
|
|
|
MERCUTIO.
|
|
Alas poor Romeo, he is already dead, stabbed with a white wenchs black
|
|
eye; run through the ear with a love song, the very pin of his heart
|
|
cleft with the blind bow-boys butt-shaft. And is he a man to encounter
|
|
Tybalt?
|
|
|
|
BENVOLIO.
|
|
Why, what is Tybalt?
|
|
|
|
MERCUTIO.
|
|
More than Prince of cats. O, hes the courageous captain of
|
|
compliments. He fights as you sing prick-song, keeps time, distance,
|
|
and proportion. He rests his minim rest, one, two, and the third in
|
|
your bosom: the very butcher of a silk button, a duellist, a duellist;
|
|
a gentleman of the very first house, of the first and second cause. Ah,
|
|
the immortal passado, the punto reverso, the hay.
|
|
|
|
BENVOLIO.
|
|
The what?
|
|
|
|
MERCUTIO.
|
|
The pox of such antic lisping, affecting phantasies; these new tuners
|
|
of accent. By Jesu, a very good blade, a very tall man, a very good
|
|
whore. Why, is not this a lamentable thing, grandsire, that we should
|
|
be thus afflicted with these strange flies, these fashion-mongers,
|
|
these pardon-mes, who stand so much on the new form that they cannot
|
|
sit at ease on the old bench? O their bones, their bones!
|
|
|
|
Enter Romeo.
|
|
|
|
BENVOLIO.
|
|
Here comes Romeo, here comes Romeo!
|
|
|
|
MERCUTIO.
|
|
Without his roe, like a dried herring. O flesh, flesh, how art thou
|
|
fishified! Now is he for the numbers that Petrarch flowed in. Laura, to
|
|
his lady, was but a kitchen wench,marry, she had a better love to
|
|
berhyme her: Dido a dowdy; Cleopatra a gypsy; Helen and Hero hildings
|
|
and harlots; Thisbe a grey eye or so, but not to the purpose. Signior
|
|
Romeo, bonjour! Theres a French salutation to your French slop. You
|
|
gave us the counterfeit fairly last night.
|
|
|
|
ROMEO.
|
|
Good morrow to you both. What counterfeit did I give you?
|
|
|
|
MERCUTIO.
|
|
The slip sir, the slip; can you not conceive?
|
|
|
|
ROMEO.
|
|
Pardon, good Mercutio, my business was great, and in such a case as
|
|
mine a man may strain courtesy.
|
|
|
|
MERCUTIO.
|
|
Thats as much as to say, such a case as yours constrains a man to bow
|
|
in the hams.
|
|
|
|
ROMEO.
|
|
Meaning, to curtsy.
|
|
|
|
MERCUTIO.
|
|
Thou hast most kindly hit it.
|
|
|
|
ROMEO.
|
|
A most courteous exposition.
|
|
|
|
MERCUTIO.
|
|
Nay, I am the very pink of courtesy.
|
|
|
|
ROMEO.
|
|
Pink for flower.
|
|
|
|
MERCUTIO.
|
|
Right.
|
|
|
|
ROMEO.
|
|
Why, then is my pump well flowered.
|
|
|
|
MERCUTIO.
|
|
Sure wit, follow me this jest now, till thou hast worn out thy pump,
|
|
that when the single sole of it is worn, the jest may remain after the
|
|
wearing, solely singular.
|
|
|
|
ROMEO.
|
|
O single-soled jest, solely singular for the singleness!
|
|
|
|
MERCUTIO.
|
|
Come between us, good Benvolio; my wits faint.
|
|
|
|
ROMEO.
|
|
Swits and spurs, swits and spurs; or Ill cry a match.
|
|
|
|
MERCUTIO.
|
|
Nay, if thy wits run the wild-goose chase, I am done. For thou hast
|
|
more of the wild-goose in one of thy wits, than I am sure, I have in my
|
|
whole five. Was I with you there for the goose?
|
|
|
|
ROMEO.
|
|
Thou wast never with me for anything, when thou wast not there for the
|
|
goose.
|
|
|
|
MERCUTIO.
|
|
I will bite thee by the ear for that jest.
|
|
|
|
ROMEO.
|
|
Nay, good goose, bite not.
|
|
|
|
MERCUTIO.
|
|
Thy wit is a very bitter sweeting, it is a most sharp sauce.
|
|
|
|
ROMEO.
|
|
And is it not then well served in to a sweet goose?
|
|
|
|
MERCUTIO.
|
|
O heres a wit of cheveril, that stretches from an inch narrow to an
|
|
ell broad.
|
|
|
|
ROMEO.
|
|
I stretch it out for that word broad, which added to the goose, proves
|
|
thee far and wide a broad goose.
|
|
|
|
MERCUTIO.
|
|
Why, is not this better now than groaning for love? Now art thou
|
|
sociable, now art thou Romeo; now art thou what thou art, by art as
|
|
well as by nature. For this drivelling love is like a great natural,
|
|
that runs lolling up and down to hide his bauble in a hole.
|
|
|
|
BENVOLIO.
|
|
Stop there, stop there.
|
|
|
|
MERCUTIO.
|
|
Thou desirest me to stop in my tale against the hair.
|
|
|
|
BENVOLIO.
|
|
Thou wouldst else have made thy tale large.
|
|
|
|
MERCUTIO.
|
|
O, thou art deceived; I would have made it short, for I was come to the
|
|
whole depth of my tale, and meant indeed to occupy the argument no
|
|
longer.
|
|
|
|
Enter Nurse and Peter.
|
|
|
|
ROMEO.
|
|
Heres goodly gear!
|
|
A sail, a sail!
|
|
|
|
MERCUTIO.
|
|
Two, two; a shirt and a smock.
|
|
|
|
NURSE.
|
|
Peter!
|
|
|
|
PETER.
|
|
Anon.
|
|
|
|
NURSE.
|
|
My fan, Peter.
|
|
|
|
MERCUTIO.
|
|
Good Peter, to hide her face; for her fans the fairer face.
|
|
|
|
NURSE.
|
|
God ye good morrow, gentlemen.
|
|
|
|
MERCUTIO.
|
|
God ye good-den, fair gentlewoman.
|
|
|
|
NURSE.
|
|
Is it good-den?
|
|
|
|
MERCUTIO.
|
|
Tis no less, I tell ye; for the bawdy hand of the dial is now upon the
|
|
prick of noon.
|
|
|
|
NURSE.
|
|
Out upon you! What a man are you?
|
|
|
|
ROMEO.
|
|
One, gentlewoman, that God hath made for himself to mar.
|
|
|
|
NURSE.
|
|
By my troth, it is well said; for himself to mar, quoth a? Gentlemen,
|
|
can any of you tell me where I may find the young Romeo?
|
|
|
|
ROMEO.
|
|
I can tell you: but young Romeo will be older when you have found him
|
|
than he was when you sought him. I am the youngest of that name, for
|
|
fault of a worse.
|
|
|
|
NURSE.
|
|
You say well.
|
|
|
|
MERCUTIO.
|
|
Yea, is the worst well? Very well took, ifaith; wisely, wisely.
|
|
|
|
NURSE.
|
|
If you be he, sir, I desire some confidence with you.
|
|
|
|
BENVOLIO.
|
|
She will endite him to some supper.
|
|
|
|
MERCUTIO.
|
|
A bawd, a bawd, a bawd! So ho!
|
|
|
|
ROMEO.
|
|
What hast thou found?
|
|
|
|
MERCUTIO.
|
|
No hare, sir; unless a hare, sir, in a lenten pie, that is something
|
|
stale and hoar ere it be spent.
|
|
[_Sings._]
|
|
An old hare hoar,
|
|
And an old hare hoar,
|
|
Is very good meat in Lent;
|
|
But a hare that is hoar
|
|
Is too much for a score
|
|
When it hoars ere it be spent.
|
|
Romeo, will you come to your fathers? Well to dinner thither.
|
|
|
|
ROMEO.
|
|
I will follow you.
|
|
|
|
MERCUTIO.
|
|
Farewell, ancient lady; farewell, lady, lady, lady.
|
|
|
|
[_Exeunt Mercutio and Benvolio._]
|
|
|
|
NURSE.
|
|
I pray you, sir, what saucy merchant was this that was so full of his
|
|
ropery?
|
|
|
|
ROMEO.
|
|
A gentleman, Nurse, that loves to hear himself talk, and will speak
|
|
more in a minute than he will stand to in a month.
|
|
|
|
NURSE.
|
|
And a speak anything against me, Ill take him down, and a were lustier
|
|
than he is, and twenty such Jacks. And if I cannot, Ill find those
|
|
that shall. Scurvy knave! I am none of his flirt-gills; I am none of
|
|
his skains-mates.And thou must stand by too and suffer every knave to
|
|
use me at his pleasure!
|
|
|
|
PETER.
|
|
I saw no man use you at his pleasure; if I had, my weapon should
|
|
quickly have been out. I warrant you, I dare draw as soon as another
|
|
man, if I see occasion in a good quarrel, and the law on my side.
|
|
|
|
NURSE.
|
|
Now, afore God, I am so vexed that every part about me quivers. Scurvy
|
|
knave. Pray you, sir, a word: and as I told you, my young lady bid me
|
|
enquire you out; what she bade me say, I will keep to myself. But first
|
|
let me tell ye, if ye should lead her in a fools paradise, as they
|
|
say, it were a very gross kind of behaviour, as they say; for the
|
|
gentlewoman is young. And therefore, if you should deal double with
|
|
her, truly it were an ill thing to be offered to any gentlewoman, and
|
|
very weak dealing.
|
|
|
|
ROMEO. Nurse, commend me to thy lady and mistress. I protest unto
|
|
thee,
|
|
|
|
NURSE.
|
|
Good heart, and ifaith I will tell her as much. Lord, Lord, she will
|
|
be a joyful woman.
|
|
|
|
ROMEO.
|
|
What wilt thou tell her, Nurse? Thou dost not mark me.
|
|
|
|
NURSE.
|
|
I will tell her, sir, that you do protest, which, as I take it, is a
|
|
gentlemanlike offer.
|
|
|
|
ROMEO.
|
|
Bid her devise
|
|
Some means to come to shrift this afternoon,
|
|
And there she shall at Friar Lawrence cell
|
|
Be shrivd and married. Here is for thy pains.
|
|
|
|
NURSE.
|
|
No truly, sir; not a penny.
|
|
|
|
ROMEO.
|
|
Go to; I say you shall.
|
|
|
|
NURSE.
|
|
This afternoon, sir? Well, she shall be there.
|
|
|
|
ROMEO.
|
|
And stay, good Nurse, behind the abbey wall.
|
|
Within this hour my man shall be with thee,
|
|
And bring thee cords made like a tackled stair,
|
|
Which to the high topgallant of my joy
|
|
Must be my convoy in the secret night.
|
|
Farewell, be trusty, and Ill quit thy pains;
|
|
Farewell; commend me to thy mistress.
|
|
|
|
NURSE.
|
|
Now God in heaven bless thee. Hark you, sir.
|
|
|
|
ROMEO.
|
|
What sayst thou, my dear Nurse?
|
|
|
|
NURSE.
|
|
Is your man secret? Did you neer hear say,
|
|
Two may keep counsel, putting one away?
|
|
|
|
ROMEO.
|
|
I warrant thee my mans as true as steel.
|
|
|
|
NURSE.
|
|
Well, sir, my mistress is the sweetest lady. Lord, Lord! When twas a
|
|
little prating thing,O, there is a nobleman in town, one Paris, that
|
|
would fain lay knife aboard; but she, good soul, had as lief see a
|
|
toad, a very toad, as see him. I anger her sometimes, and tell her that
|
|
Paris is the properer man, but Ill warrant you, when I say so, she
|
|
looks as pale as any clout in the versal world. Doth not rosemary and
|
|
Romeo begin both with a letter?
|
|
|
|
ROMEO.
|
|
Ay, Nurse; what of that? Both with an R.
|
|
|
|
NURSE.
|
|
Ah, mocker! Thats the dogs name. R is for theno, I know it begins
|
|
with some other letter, and she hath the prettiest sententious of it,
|
|
of you and rosemary, that it would do you good to hear it.
|
|
|
|
ROMEO.
|
|
Commend me to thy lady.
|
|
|
|
NURSE.
|
|
Ay, a thousand times. Peter!
|
|
|
|
[_Exit Romeo._]
|
|
|
|
PETER.
|
|
Anon.
|
|
|
|
NURSE.
|
|
Before and apace.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE V. Capulets Garden.
|
|
|
|
Enter Juliet.
|
|
|
|
JULIET.
|
|
The clock struck nine when I did send the Nurse,
|
|
In half an hour she promised to return.
|
|
Perchance she cannot meet him. Thats not so.
|
|
O, she is lame. Loves heralds should be thoughts,
|
|
Which ten times faster glides than the suns beams,
|
|
Driving back shadows over lowering hills:
|
|
Therefore do nimble-piniond doves draw love,
|
|
And therefore hath the wind-swift Cupid wings.
|
|
Now is the sun upon the highmost hill
|
|
Of this days journey, and from nine till twelve
|
|
Is three long hours, yet she is not come.
|
|
Had she affections and warm youthful blood,
|
|
Shed be as swift in motion as a ball;
|
|
My words would bandy her to my sweet love,
|
|
And his to me.
|
|
But old folks, many feign as they were dead;
|
|
Unwieldy, slow, heavy and pale as lead.
|
|
|
|
Enter Nurse and Peter.
|
|
|
|
O God, she comes. O honey Nurse, what news?
|
|
Hast thou met with him? Send thy man away.
|
|
|
|
NURSE.
|
|
Peter, stay at the gate.
|
|
|
|
[_Exit Peter._]
|
|
|
|
JULIET.
|
|
Now, good sweet Nurse,O Lord, why lookst thou sad?
|
|
Though news be sad, yet tell them merrily;
|
|
If good, thou shamst the music of sweet news
|
|
By playing it to me with so sour a face.
|
|
|
|
NURSE.
|
|
I am aweary, give me leave awhile;
|
|
Fie, how my bones ache! What a jaunt have I had!
|
|
|
|
JULIET.
|
|
I would thou hadst my bones, and I thy news:
|
|
Nay come, I pray thee speak; good, good Nurse, speak.
|
|
|
|
NURSE.
|
|
Jesu, what haste? Can you not stay a while? Do you not see that I am
|
|
out of breath?
|
|
|
|
JULIET.
|
|
How art thou out of breath, when thou hast breath
|
|
To say to me that thou art out of breath?
|
|
The excuse that thou dost make in this delay
|
|
Is longer than the tale thou dost excuse.
|
|
Is thy news good or bad? Answer to that;
|
|
Say either, and Ill stay the circumstance.
|
|
Let me be satisfied, ist good or bad?
|
|
|
|
NURSE.
|
|
Well, you have made a simple choice; you know not how to choose a man.
|
|
Romeo? No, not he. Though his face be better than any mans, yet his
|
|
leg excels all mens, and for a hand and a foot, and a body, though
|
|
they be not to be talked on, yet they are past compare. He is not the
|
|
flower of courtesy, but Ill warrant him as gentle as a lamb. Go thy
|
|
ways, wench, serve God. What, have you dined at home?
|
|
|
|
JULIET.
|
|
No, no. But all this did I know before.
|
|
What says he of our marriage? What of that?
|
|
|
|
NURSE.
|
|
Lord, how my head aches! What a head have I!
|
|
It beats as it would fall in twenty pieces.
|
|
My back o tother side,O my back, my back!
|
|
Beshrew your heart for sending me about
|
|
To catch my death with jauncing up and down.
|
|
|
|
JULIET.
|
|
Ifaith, I am sorry that thou art not well.
|
|
Sweet, sweet, sweet Nurse, tell me, what says my love?
|
|
|
|
NURSE.
|
|
Your love says like an honest gentleman,
|
|
And a courteous, and a kind, and a handsome,
|
|
And I warrant a virtuous,Where is your mother?
|
|
|
|
JULIET.
|
|
Where is my mother? Why, she is within.
|
|
Where should she be? How oddly thou repliest.
|
|
Your love says, like an honest gentleman,
|
|
Where is your mother?
|
|
|
|
NURSE.
|
|
O Gods lady dear,
|
|
Are you so hot? Marry, come up, I trow.
|
|
Is this the poultice for my aching bones?
|
|
Henceforward do your messages yourself.
|
|
|
|
JULIET.
|
|
Heres such a coil. Come, what says Romeo?
|
|
|
|
NURSE.
|
|
Have you got leave to go to shrift today?
|
|
|
|
JULIET.
|
|
I have.
|
|
|
|
NURSE.
|
|
Then hie you hence to Friar Lawrence cell;
|
|
There stays a husband to make you a wife.
|
|
Now comes the wanton blood up in your cheeks,
|
|
Theyll be in scarlet straight at any news.
|
|
Hie you to church. I must another way,
|
|
To fetch a ladder by the which your love
|
|
Must climb a birds nest soon when it is dark.
|
|
I am the drudge, and toil in your delight;
|
|
But you shall bear the burden soon at night.
|
|
Go. Ill to dinner; hie you to the cell.
|
|
|
|
JULIET.
|
|
Hie to high fortune! Honest Nurse, farewell.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE VI. Friar Lawrences Cell.
|
|
|
|
Enter Friar Lawrence and Romeo.
|
|
|
|
FRIAR LAWRENCE.
|
|
So smile the heavens upon this holy act
|
|
That after-hours with sorrow chide us not.
|
|
|
|
ROMEO.
|
|
Amen, amen, but come what sorrow can,
|
|
It cannot countervail the exchange of joy
|
|
That one short minute gives me in her sight.
|
|
Do thou but close our hands with holy words,
|
|
Then love-devouring death do what he dare,
|
|
It is enough I may but call her mine.
|
|
|
|
FRIAR LAWRENCE.
|
|
These violent delights have violent ends,
|
|
And in their triumph die; like fire and powder,
|
|
Which as they kiss consume. The sweetest honey
|
|
Is loathsome in his own deliciousness,
|
|
And in the taste confounds the appetite.
|
|
Therefore love moderately: long love doth so;
|
|
Too swift arrives as tardy as too slow.
|
|
|
|
Enter Juliet.
|
|
|
|
Here comes the lady. O, so light a foot
|
|
Will neer wear out the everlasting flint.
|
|
A lover may bestride the gossamers
|
|
That idles in the wanton summer air
|
|
And yet not fall; so light is vanity.
|
|
|
|
JULIET.
|
|
Good even to my ghostly confessor.
|
|
|
|
FRIAR LAWRENCE.
|
|
Romeo shall thank thee, daughter, for us both.
|
|
|
|
JULIET.
|
|
As much to him, else is his thanks too much.
|
|
|
|
ROMEO.
|
|
Ah, Juliet, if the measure of thy joy
|
|
Be heapd like mine, and that thy skill be more
|
|
To blazon it, then sweeten with thy breath
|
|
This neighbour air, and let rich musics tongue
|
|
Unfold the imagind happiness that both
|
|
Receive in either by this dear encounter.
|
|
|
|
JULIET.
|
|
Conceit more rich in matter than in words,
|
|
Brags of his substance, not of ornament.
|
|
They are but beggars that can count their worth;
|
|
But my true love is grown to such excess,
|
|
I cannot sum up sum of half my wealth.
|
|
|
|
FRIAR LAWRENCE.
|
|
Come, come with me, and we will make short work,
|
|
For, by your leaves, you shall not stay alone
|
|
Till holy church incorporate two in one.
|
|
|
|
[_Exeunt._]
|
|
|
|
|
|
|
|
|
|
ACT III
|
|
|
|
SCENE I. A public Place.
|
|
|
|
|
|
Enter Mercutio, Benvolio, Page and Servants.
|
|
|
|
BENVOLIO.
|
|
I pray thee, good Mercutio, lets retire:
|
|
The day is hot, the Capulets abroad,
|
|
And if we meet, we shall not scape a brawl,
|
|
For now these hot days, is the mad blood stirring.
|
|
|
|
MERCUTIO.
|
|
Thou art like one of these fellows that, when he enters the confines of
|
|
a tavern, claps me his sword upon the table, and says God send me no
|
|
need of thee! and by the operation of the second cup draws him on the
|
|
drawer, when indeed there is no need.
|
|
|
|
BENVOLIO.
|
|
Am I like such a fellow?
|
|
|
|
MERCUTIO.
|
|
Come, come, thou art as hot a Jack in thy mood as any in Italy; and as
|
|
soon moved to be moody, and as soon moody to be moved.
|
|
|
|
BENVOLIO.
|
|
And what to?
|
|
|
|
MERCUTIO.
|
|
Nay, an there were two such, we should have none shortly, for one would
|
|
kill the other. Thou? Why, thou wilt quarrel with a man that hath a
|
|
hair more or a hair less in his beard than thou hast. Thou wilt quarrel
|
|
with a man for cracking nuts, having no other reason but because thou
|
|
hast hazel eyes. What eye but such an eye would spy out such a quarrel?
|
|
Thy head is as full of quarrels as an egg is full of meat, and yet thy
|
|
head hath been beaten as addle as an egg for quarrelling. Thou hast
|
|
quarrelled with a man for coughing in the street, because he hath
|
|
wakened thy dog that hath lain asleep in the sun. Didst thou not fall
|
|
out with a tailor for wearing his new doublet before Easter? with
|
|
another for tying his new shoes with an old riband? And yet thou wilt
|
|
tutor me from quarrelling!
|
|
|
|
BENVOLIO.
|
|
And I were so apt to quarrel as thou art, any man should buy the fee
|
|
simple of my life for an hour and a quarter.
|
|
|
|
MERCUTIO.
|
|
The fee simple! O simple!
|
|
|
|
Enter Tybalt and others.
|
|
|
|
BENVOLIO.
|
|
By my head, here comes the Capulets.
|
|
|
|
MERCUTIO.
|
|
By my heel, I care not.
|
|
|
|
TYBALT.
|
|
Follow me close, for I will speak to them.
|
|
Gentlemen, good-den: a word with one of you.
|
|
|
|
MERCUTIO.
|
|
And but one word with one of us? Couple it with something; make it a
|
|
word and a blow.
|
|
|
|
TYBALT.
|
|
You shall find me apt enough to that, sir, and you will give me
|
|
occasion.
|
|
|
|
MERCUTIO.
|
|
Could you not take some occasion without giving?
|
|
|
|
TYBALT.
|
|
Mercutio, thou consortest with Romeo.
|
|
|
|
MERCUTIO.
|
|
Consort? What, dost thou make us minstrels? And thou make minstrels of
|
|
us, look to hear nothing but discords. Heres my fiddlestick, heres
|
|
that shall make you dance. Zounds, consort!
|
|
|
|
BENVOLIO.
|
|
We talk here in the public haunt of men.
|
|
Either withdraw unto some private place,
|
|
And reason coldly of your grievances,
|
|
Or else depart; here all eyes gaze on us.
|
|
|
|
MERCUTIO.
|
|
Mens eyes were made to look, and let them gaze.
|
|
I will not budge for no mans pleasure, I.
|
|
|
|
Enter Romeo.
|
|
|
|
TYBALT.
|
|
Well, peace be with you, sir, here comes my man.
|
|
|
|
MERCUTIO.
|
|
But Ill be hanged, sir, if he wear your livery.
|
|
Marry, go before to field, hell be your follower;
|
|
Your worship in that sense may call him man.
|
|
|
|
TYBALT.
|
|
Romeo, the love I bear thee can afford
|
|
No better term than this: Thou art a villain.
|
|
|
|
ROMEO.
|
|
Tybalt, the reason that I have to love thee
|
|
Doth much excuse the appertaining rage
|
|
To such a greeting. Villain am I none;
|
|
Therefore farewell; I see thou knowst me not.
|
|
|
|
TYBALT.
|
|
Boy, this shall not excuse the injuries
|
|
That thou hast done me, therefore turn and draw.
|
|
|
|
ROMEO.
|
|
I do protest I never injurd thee,
|
|
But love thee better than thou canst devise
|
|
Till thou shalt know the reason of my love.
|
|
And so good Capulet, which name I tender
|
|
As dearly as mine own, be satisfied.
|
|
|
|
MERCUTIO.
|
|
O calm, dishonourable, vile submission!
|
|
[_Draws._] Alla stoccata carries it away.
|
|
Tybalt, you rat-catcher, will you walk?
|
|
|
|
TYBALT.
|
|
What wouldst thou have with me?
|
|
|
|
MERCUTIO.
|
|
Good King of Cats, nothing but one of your nine lives; that I mean to
|
|
make bold withal, and, as you shall use me hereafter, dry-beat the rest
|
|
of the eight. Will you pluck your sword out of his pilcher by the ears?
|
|
Make haste, lest mine be about your ears ere it be out.
|
|
|
|
TYBALT.
|
|
[_Drawing._] I am for you.
|
|
|
|
ROMEO.
|
|
Gentle Mercutio, put thy rapier up.
|
|
|
|
MERCUTIO.
|
|
Come, sir, your passado.
|
|
|
|
[_They fight._]
|
|
|
|
ROMEO.
|
|
Draw, Benvolio; beat down their weapons.
|
|
Gentlemen, for shame, forbear this outrage,
|
|
Tybalt, Mercutio, the Prince expressly hath
|
|
Forbid this bandying in Verona streets.
|
|
Hold, Tybalt! Good Mercutio!
|
|
|
|
[_Exeunt Tybalt with his Partizans._]
|
|
|
|
MERCUTIO.
|
|
I am hurt.
|
|
A plague o both your houses. I am sped.
|
|
Is he gone, and hath nothing?
|
|
|
|
BENVOLIO.
|
|
What, art thou hurt?
|
|
|
|
MERCUTIO.
|
|
Ay, ay, a scratch, a scratch. Marry, tis enough.
|
|
Where is my page? Go villain, fetch a surgeon.
|
|
|
|
[_Exit Page._]
|
|
|
|
ROMEO.
|
|
Courage, man; the hurt cannot be much.
|
|
|
|
MERCUTIO.
|
|
No, tis not so deep as a well, nor so wide as a church door, but tis
|
|
enough, twill serve. Ask for me tomorrow, and you shall find me a
|
|
grave man. I am peppered, I warrant, for this world. A plague o both
|
|
your houses. Zounds, a dog, a rat, a mouse, a cat, to scratch a man to
|
|
death. A braggart, a rogue, a villain, that fights by the book of
|
|
arithmetic!Why the devil came you between us? I was hurt under your
|
|
arm.
|
|
|
|
ROMEO.
|
|
I thought all for the best.
|
|
|
|
MERCUTIO.
|
|
Help me into some house, Benvolio,
|
|
Or I shall faint. A plague o both your houses.
|
|
They have made worms meat of me.
|
|
I have it, and soundly too. Your houses!
|
|
|
|
[_Exeunt Mercutio and Benvolio._]
|
|
|
|
ROMEO.
|
|
This gentleman, the Princes near ally,
|
|
My very friend, hath got his mortal hurt
|
|
In my behalf; my reputation staind
|
|
With Tybalts slander,Tybalt, that an hour
|
|
Hath been my cousin. O sweet Juliet,
|
|
Thy beauty hath made me effeminate
|
|
And in my temper softend valours steel.
|
|
|
|
Re-enter Benvolio.
|
|
|
|
BENVOLIO.
|
|
O Romeo, Romeo, brave Mercutios dead,
|
|
That gallant spirit hath aspird the clouds,
|
|
Which too untimely here did scorn the earth.
|
|
|
|
ROMEO.
|
|
This days black fate on mo days doth depend;
|
|
This but begins the woe others must end.
|
|
|
|
Re-enter Tybalt.
|
|
|
|
BENVOLIO.
|
|
Here comes the furious Tybalt back again.
|
|
|
|
ROMEO.
|
|
Again in triumph, and Mercutio slain?
|
|
Away to heaven respective lenity,
|
|
And fire-eyd fury be my conduct now!
|
|
Now, Tybalt, take the villain back again
|
|
That late thou gavst me, for Mercutios soul
|
|
Is but a little way above our heads,
|
|
Staying for thine to keep him company.
|
|
Either thou or I, or both, must go with him.
|
|
|
|
TYBALT.
|
|
Thou wretched boy, that didst consort him here,
|
|
Shalt with him hence.
|
|
|
|
ROMEO.
|
|
This shall determine that.
|
|
|
|
[_They fight; Tybalt falls._]
|
|
|
|
BENVOLIO.
|
|
Romeo, away, be gone!
|
|
The citizens are up, and Tybalt slain.
|
|
Stand not amazd. The Prince will doom thee death
|
|
If thou art taken. Hence, be gone, away!
|
|
|
|
ROMEO.
|
|
O, I am fortunes fool!
|
|
|
|
BENVOLIO.
|
|
Why dost thou stay?
|
|
|
|
[_Exit Romeo._]
|
|
|
|
Enter Citizens.
|
|
|
|
FIRST CITIZEN.
|
|
Which way ran he that killd Mercutio?
|
|
Tybalt, that murderer, which way ran he?
|
|
|
|
BENVOLIO.
|
|
There lies that Tybalt.
|
|
|
|
FIRST CITIZEN.
|
|
Up, sir, go with me.
|
|
I charge thee in the Princes name obey.
|
|
|
|
Enter Prince, attended; Montague, Capulet, their Wives and others.
|
|
|
|
PRINCE.
|
|
Where are the vile beginners of this fray?
|
|
|
|
BENVOLIO.
|
|
O noble Prince, I can discover all
|
|
The unlucky manage of this fatal brawl.
|
|
There lies the man, slain by young Romeo,
|
|
That slew thy kinsman, brave Mercutio.
|
|
|
|
LADY CAPULET.
|
|
Tybalt, my cousin! O my brothers child!
|
|
O Prince! O husband! O, the blood is spilld
|
|
Of my dear kinsman! Prince, as thou art true,
|
|
For blood of ours shed blood of Montague.
|
|
O cousin, cousin.
|
|
|
|
PRINCE.
|
|
Benvolio, who began this bloody fray?
|
|
|
|
BENVOLIO.
|
|
Tybalt, here slain, whom Romeos hand did slay;
|
|
Romeo, that spoke him fair, bid him bethink
|
|
How nice the quarrel was, and urgd withal
|
|
Your high displeasure. All this uttered
|
|
With gentle breath, calm look, knees humbly bowd
|
|
Could not take truce with the unruly spleen
|
|
Of Tybalt, deaf to peace, but that he tilts
|
|
With piercing steel at bold Mercutios breast,
|
|
Who, all as hot, turns deadly point to point,
|
|
And, with a martial scorn, with one hand beats
|
|
Cold death aside, and with the other sends
|
|
It back to Tybalt, whose dexterity
|
|
Retorts it. Romeo he cries aloud,
|
|
Hold, friends! Friends, part! and swifter than his tongue,
|
|
His agile arm beats down their fatal points,
|
|
And twixt them rushes; underneath whose arm
|
|
An envious thrust from Tybalt hit the life
|
|
Of stout Mercutio, and then Tybalt fled.
|
|
But by and by comes back to Romeo,
|
|
Who had but newly entertaind revenge,
|
|
And tot they go like lightning; for, ere I
|
|
Could draw to part them was stout Tybalt slain;
|
|
And as he fell did Romeo turn and fly.
|
|
This is the truth, or let Benvolio die.
|
|
|
|
LADY CAPULET.
|
|
He is a kinsman to the Montague.
|
|
Affection makes him false, he speaks not true.
|
|
Some twenty of them fought in this black strife,
|
|
And all those twenty could but kill one life.
|
|
I beg for justice, which thou, Prince, must give;
|
|
Romeo slew Tybalt, Romeo must not live.
|
|
|
|
PRINCE.
|
|
Romeo slew him, he slew Mercutio.
|
|
Who now the price of his dear blood doth owe?
|
|
|
|
MONTAGUE.
|
|
Not Romeo, Prince, he was Mercutios friend;
|
|
His fault concludes but what the law should end,
|
|
The life of Tybalt.
|
|
|
|
PRINCE.
|
|
And for that offence
|
|
Immediately we do exile him hence.
|
|
I have an interest in your hates proceeding,
|
|
My blood for your rude brawls doth lie a-bleeding.
|
|
But Ill amerce you with so strong a fine
|
|
That you shall all repent the loss of mine.
|
|
I will be deaf to pleading and excuses;
|
|
Nor tears nor prayers shall purchase out abuses.
|
|
Therefore use none. Let Romeo hence in haste,
|
|
Else, when he is found, that hour is his last.
|
|
Bear hence this body, and attend our will.
|
|
Mercy but murders, pardoning those that kill.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE II. A Room in Capulets House.
|
|
|
|
Enter Juliet.
|
|
|
|
JULIET.
|
|
Gallop apace, you fiery-footed steeds,
|
|
Towards Phoebus lodging. Such a waggoner
|
|
As Phaeton would whip you to the west
|
|
And bring in cloudy night immediately.
|
|
Spread thy close curtain, love-performing night,
|
|
That runaways eyes may wink, and Romeo
|
|
Leap to these arms, untalkd of and unseen.
|
|
Lovers can see to do their amorous rites
|
|
By their own beauties: or, if love be blind,
|
|
It best agrees with night. Come, civil night,
|
|
Thou sober-suited matron, all in black,
|
|
And learn me how to lose a winning match,
|
|
Playd for a pair of stainless maidenhoods.
|
|
Hood my unmannd blood, bating in my cheeks,
|
|
With thy black mantle, till strange love, grow bold,
|
|
Think true love acted simple modesty.
|
|
Come, night, come Romeo; come, thou day in night;
|
|
For thou wilt lie upon the wings of night
|
|
Whiter than new snow upon a ravens back.
|
|
Come gentle night, come loving black-browd night,
|
|
Give me my Romeo, and when I shall die,
|
|
Take him and cut him out in little stars,
|
|
And he will make the face of heaven so fine
|
|
That all the world will be in love with night,
|
|
And pay no worship to the garish sun.
|
|
O, I have bought the mansion of a love,
|
|
But not possessd it; and though I am sold,
|
|
Not yet enjoyd. So tedious is this day
|
|
As is the night before some festival
|
|
To an impatient child that hath new robes
|
|
And may not wear them. O, here comes my Nurse,
|
|
And she brings news, and every tongue that speaks
|
|
But Romeos name speaks heavenly eloquence.
|
|
|
|
Enter Nurse, with cords.
|
|
|
|
Now, Nurse, what news? What hast thou there?
|
|
The cords that Romeo bid thee fetch?
|
|
|
|
NURSE.
|
|
Ay, ay, the cords.
|
|
|
|
[_Throws them down._]
|
|
|
|
JULIET.
|
|
Ay me, what news? Why dost thou wring thy hands?
|
|
|
|
NURSE.
|
|
Ah, well-a-day, hes dead, hes dead, hes dead!
|
|
We are undone, lady, we are undone.
|
|
Alack the day, hes gone, hes killd, hes dead.
|
|
|
|
JULIET.
|
|
Can heaven be so envious?
|
|
|
|
NURSE.
|
|
Romeo can,
|
|
Though heaven cannot. O Romeo, Romeo.
|
|
Who ever would have thought it? Romeo!
|
|
|
|
JULIET.
|
|
What devil art thou, that dost torment me thus?
|
|
This torture should be roard in dismal hell.
|
|
Hath Romeo slain himself? Say thou but Ay,
|
|
And that bare vowel I shall poison more
|
|
Than the death-darting eye of cockatrice.
|
|
I am not I if there be such an I;
|
|
Or those eyes shut that make thee answer Ay.
|
|
If he be slain, say Ay; or if not, No.
|
|
Brief sounds determine of my weal or woe.
|
|
|
|
NURSE.
|
|
I saw the wound, I saw it with mine eyes,
|
|
God save the mark!here on his manly breast.
|
|
A piteous corse, a bloody piteous corse;
|
|
Pale, pale as ashes, all bedaubd in blood,
|
|
All in gore-blood. I swounded at the sight.
|
|
|
|
JULIET.
|
|
O, break, my heart. Poor bankrout, break at once.
|
|
To prison, eyes; neer look on liberty.
|
|
Vile earth to earth resign; end motion here,
|
|
And thou and Romeo press one heavy bier.
|
|
|
|
NURSE.
|
|
O Tybalt, Tybalt, the best friend I had.
|
|
O courteous Tybalt, honest gentleman!
|
|
That ever I should live to see thee dead.
|
|
|
|
JULIET.
|
|
What storm is this that blows so contrary?
|
|
Is Romeo slaughterd and is Tybalt dead?
|
|
My dearest cousin, and my dearer lord?
|
|
Then dreadful trumpet sound the general doom,
|
|
For who is living, if those two are gone?
|
|
|
|
NURSE.
|
|
Tybalt is gone, and Romeo banished,
|
|
Romeo that killd him, he is banished.
|
|
|
|
JULIET.
|
|
O God! Did Romeos hand shed Tybalts blood?
|
|
|
|
NURSE.
|
|
It did, it did; alas the day, it did.
|
|
|
|
JULIET.
|
|
O serpent heart, hid with a flowering face!
|
|
Did ever dragon keep so fair a cave?
|
|
Beautiful tyrant, fiend angelical,
|
|
Dove-featherd raven, wolvish-ravening lamb!
|
|
Despised substance of divinest show!
|
|
Just opposite to what thou justly seemst,
|
|
A damned saint, an honourable villain!
|
|
O nature, what hadst thou to do in hell
|
|
When thou didst bower the spirit of a fiend
|
|
In mortal paradise of such sweet flesh?
|
|
Was ever book containing such vile matter
|
|
So fairly bound? O, that deceit should dwell
|
|
In such a gorgeous palace.
|
|
|
|
NURSE.
|
|
Theres no trust,
|
|
No faith, no honesty in men. All perjurd,
|
|
All forsworn, all naught, all dissemblers.
|
|
Ah, wheres my man? Give me some aqua vitae.
|
|
These griefs, these woes, these sorrows make me old.
|
|
Shame come to Romeo.
|
|
|
|
JULIET.
|
|
Blisterd be thy tongue
|
|
For such a wish! He was not born to shame.
|
|
Upon his brow shame is ashamd to sit;
|
|
For tis a throne where honour may be crownd
|
|
Sole monarch of the universal earth.
|
|
O, what a beast was I to chide at him!
|
|
|
|
NURSE.
|
|
Will you speak well of him that killd your cousin?
|
|
|
|
JULIET.
|
|
Shall I speak ill of him that is my husband?
|
|
Ah, poor my lord, what tongue shall smooth thy name,
|
|
When I thy three-hours wife have mangled it?
|
|
But wherefore, villain, didst thou kill my cousin?
|
|
That villain cousin would have killd my husband.
|
|
Back, foolish tears, back to your native spring,
|
|
Your tributary drops belong to woe,
|
|
Which you mistaking offer up to joy.
|
|
My husband lives, that Tybalt would have slain,
|
|
And Tybalts dead, that would have slain my husband.
|
|
All this is comfort; wherefore weep I then?
|
|
Some word there was, worser than Tybalts death,
|
|
That murderd me. I would forget it fain,
|
|
But O, it presses to my memory
|
|
Like damned guilty deeds to sinners minds.
|
|
Tybalt is dead, and Romeo banished.
|
|
That banished, that one word banished,
|
|
Hath slain ten thousand Tybalts. Tybalts death
|
|
Was woe enough, if it had ended there.
|
|
Or if sour woe delights in fellowship,
|
|
And needly will be rankd with other griefs,
|
|
Why followd not, when she said Tybalts dead,
|
|
Thy father or thy mother, nay or both,
|
|
Which modern lamentation might have movd?
|
|
But with a rear-ward following Tybalts death,
|
|
Romeo is banishedto speak that word
|
|
Is father, mother, Tybalt, Romeo, Juliet,
|
|
All slain, all dead. Romeo is banished,
|
|
There is no end, no limit, measure, bound,
|
|
In that words death, no words can that woe sound.
|
|
Where is my father and my mother, Nurse?
|
|
|
|
NURSE.
|
|
Weeping and wailing over Tybalts corse.
|
|
Will you go to them? I will bring you thither.
|
|
|
|
JULIET.
|
|
Wash they his wounds with tears. Mine shall be spent,
|
|
When theirs are dry, for Romeos banishment.
|
|
Take up those cords. Poor ropes, you are beguild,
|
|
Both you and I; for Romeo is exild.
|
|
He made you for a highway to my bed,
|
|
But I, a maid, die maiden-widowed.
|
|
Come cords, come Nurse, Ill to my wedding bed,
|
|
And death, not Romeo, take my maidenhead.
|
|
|
|
NURSE.
|
|
Hie to your chamber. Ill find Romeo
|
|
To comfort you. I wot well where he is.
|
|
Hark ye, your Romeo will be here at night.
|
|
Ill to him, he is hid at Lawrence cell.
|
|
|
|
JULIET.
|
|
O find him, give this ring to my true knight,
|
|
And bid him come to take his last farewell.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE III. Friar Lawrences cell.
|
|
|
|
Enter Friar Lawrence.
|
|
|
|
FRIAR LAWRENCE.
|
|
Romeo, come forth; come forth, thou fearful man.
|
|
Affliction is enanmourd of thy parts
|
|
And thou art wedded to calamity.
|
|
|
|
Enter Romeo.
|
|
|
|
ROMEO.
|
|
Father, what news? What is the Princes doom?
|
|
What sorrow craves acquaintance at my hand,
|
|
That I yet know not?
|
|
|
|
FRIAR LAWRENCE.
|
|
Too familiar
|
|
Is my dear son with such sour company.
|
|
I bring thee tidings of the Princes doom.
|
|
|
|
ROMEO.
|
|
What less than doomsday is the Princes doom?
|
|
|
|
FRIAR LAWRENCE.
|
|
A gentler judgment vanishd from his lips,
|
|
Not bodys death, but bodys banishment.
|
|
|
|
ROMEO.
|
|
Ha, banishment? Be merciful, say death;
|
|
For exile hath more terror in his look,
|
|
Much more than death. Do not say banishment.
|
|
|
|
FRIAR LAWRENCE.
|
|
Hence from Verona art thou banished.
|
|
Be patient, for the world is broad and wide.
|
|
|
|
ROMEO.
|
|
There is no world without Verona walls,
|
|
But purgatory, torture, hell itself.
|
|
Hence banished is banishd from the world,
|
|
And worlds exile is death. Then banished
|
|
Is death mistermd. Calling death banished,
|
|
Thou cuttst my head off with a golden axe,
|
|
And smilest upon the stroke that murders me.
|
|
|
|
FRIAR LAWRENCE.
|
|
O deadly sin, O rude unthankfulness!
|
|
Thy fault our law calls death, but the kind Prince,
|
|
Taking thy part, hath brushd aside the law,
|
|
And turnd that black word death to banishment.
|
|
This is dear mercy, and thou seest it not.
|
|
|
|
ROMEO.
|
|
Tis torture, and not mercy. Heaven is here
|
|
Where Juliet lives, and every cat and dog,
|
|
And little mouse, every unworthy thing,
|
|
Live here in heaven and may look on her,
|
|
But Romeo may not. More validity,
|
|
More honourable state, more courtship lives
|
|
In carrion flies than Romeo. They may seize
|
|
On the white wonder of dear Juliets hand,
|
|
And steal immortal blessing from her lips,
|
|
Who, even in pure and vestal modesty
|
|
Still blush, as thinking their own kisses sin.
|
|
But Romeo may not, he is banished.
|
|
This may flies do, when I from this must fly.
|
|
They are free men but I am banished.
|
|
And sayst thou yet that exile is not death?
|
|
Hadst thou no poison mixd, no sharp-ground knife,
|
|
No sudden mean of death, though neer so mean,
|
|
But banished to kill me? Banished?
|
|
O Friar, the damned use that word in hell.
|
|
Howling attends it. How hast thou the heart,
|
|
Being a divine, a ghostly confessor,
|
|
A sin-absolver, and my friend professd,
|
|
To mangle me with that word banished?
|
|
|
|
FRIAR LAWRENCE.
|
|
Thou fond mad man, hear me speak a little,
|
|
|
|
ROMEO.
|
|
O, thou wilt speak again of banishment.
|
|
|
|
FRIAR LAWRENCE.
|
|
Ill give thee armour to keep off that word,
|
|
Adversitys sweet milk, philosophy,
|
|
To comfort thee, though thou art banished.
|
|
|
|
ROMEO.
|
|
Yet banished? Hang up philosophy.
|
|
Unless philosophy can make a Juliet,
|
|
Displant a town, reverse a Princes doom,
|
|
It helps not, it prevails not, talk no more.
|
|
|
|
FRIAR LAWRENCE.
|
|
O, then I see that mad men have no ears.
|
|
|
|
ROMEO.
|
|
How should they, when that wise men have no eyes?
|
|
|
|
FRIAR LAWRENCE.
|
|
Let me dispute with thee of thy estate.
|
|
|
|
ROMEO.
|
|
Thou canst not speak of that thou dost not feel.
|
|
Wert thou as young as I, Juliet thy love,
|
|
An hour but married, Tybalt murdered,
|
|
Doting like me, and like me banished,
|
|
Then mightst thou speak, then mightst thou tear thy hair,
|
|
And fall upon the ground as I do now,
|
|
Taking the measure of an unmade grave.
|
|
|
|
[_Knocking within._]
|
|
|
|
FRIAR LAWRENCE.
|
|
Arise; one knocks. Good Romeo, hide thyself.
|
|
|
|
ROMEO.
|
|
Not I, unless the breath of heartsick groans
|
|
Mist-like infold me from the search of eyes.
|
|
|
|
[_Knocking._]
|
|
|
|
FRIAR LAWRENCE.
|
|
Hark, how they knock!Whos there?Romeo, arise,
|
|
Thou wilt be taken.Stay awhile.Stand up.
|
|
|
|
[_Knocking._]
|
|
|
|
Run to my study.By-and-by.Gods will,
|
|
What simpleness is this.I come, I come.
|
|
|
|
[_Knocking._]
|
|
|
|
Who knocks so hard? Whence come you, whats your will?
|
|
|
|
NURSE.
|
|
[_Within._] Let me come in, and you shall know my errand.
|
|
I come from Lady Juliet.
|
|
|
|
FRIAR LAWRENCE.
|
|
Welcome then.
|
|
|
|
Enter Nurse.
|
|
|
|
NURSE.
|
|
O holy Friar, O, tell me, holy Friar,
|
|
Where is my ladys lord, wheres Romeo?
|
|
|
|
FRIAR LAWRENCE.
|
|
There on the ground, with his own tears made drunk.
|
|
|
|
NURSE.
|
|
O, he is even in my mistress case.
|
|
Just in her case! O woeful sympathy!
|
|
Piteous predicament. Even so lies she,
|
|
Blubbering and weeping, weeping and blubbering.
|
|
Stand up, stand up; stand, and you be a man.
|
|
For Juliets sake, for her sake, rise and stand.
|
|
Why should you fall into so deep an O?
|
|
|
|
ROMEO.
|
|
Nurse.
|
|
|
|
NURSE.
|
|
Ah sir, ah sir, deaths the end of all.
|
|
|
|
ROMEO.
|
|
Spakest thou of Juliet? How is it with her?
|
|
Doth not she think me an old murderer,
|
|
Now I have staind the childhood of our joy
|
|
With blood removd but little from her own?
|
|
Where is she? And how doth she? And what says
|
|
My conceald lady to our cancelld love?
|
|
|
|
NURSE.
|
|
O, she says nothing, sir, but weeps and weeps;
|
|
And now falls on her bed, and then starts up,
|
|
And Tybalt calls, and then on Romeo cries,
|
|
And then down falls again.
|
|
|
|
ROMEO.
|
|
As if that name,
|
|
Shot from the deadly level of a gun,
|
|
Did murder her, as that names cursed hand
|
|
Murderd her kinsman. O, tell me, Friar, tell me,
|
|
In what vile part of this anatomy
|
|
Doth my name lodge? Tell me, that I may sack
|
|
The hateful mansion.
|
|
|
|
[_Drawing his sword._]
|
|
|
|
FRIAR LAWRENCE.
|
|
Hold thy desperate hand.
|
|
Art thou a man? Thy form cries out thou art.
|
|
Thy tears are womanish, thy wild acts denote
|
|
The unreasonable fury of a beast.
|
|
Unseemly woman in a seeming man,
|
|
And ill-beseeming beast in seeming both!
|
|
Thou hast amazd me. By my holy order,
|
|
I thought thy disposition better temperd.
|
|
Hast thou slain Tybalt? Wilt thou slay thyself?
|
|
And slay thy lady, that in thy life lives,
|
|
By doing damned hate upon thyself?
|
|
Why railst thou on thy birth, the heaven and earth?
|
|
Since birth, and heaven and earth, all three do meet
|
|
In thee at once; which thou at once wouldst lose.
|
|
Fie, fie, thou shamst thy shape, thy love, thy wit,
|
|
Which, like a usurer, aboundst in all,
|
|
And usest none in that true use indeed
|
|
Which should bedeck thy shape, thy love, thy wit.
|
|
Thy noble shape is but a form of wax,
|
|
Digressing from the valour of a man;
|
|
Thy dear love sworn but hollow perjury,
|
|
Killing that love which thou hast vowd to cherish;
|
|
Thy wit, that ornament to shape and love,
|
|
Misshapen in the conduct of them both,
|
|
Like powder in a skilless soldiers flask,
|
|
Is set afire by thine own ignorance,
|
|
And thou dismemberd with thine own defence.
|
|
What, rouse thee, man. Thy Juliet is alive,
|
|
For whose dear sake thou wast but lately dead.
|
|
There art thou happy. Tybalt would kill thee,
|
|
But thou slewst Tybalt; there art thou happy.
|
|
The law that threatend death becomes thy friend,
|
|
And turns it to exile; there art thou happy.
|
|
A pack of blessings light upon thy back;
|
|
Happiness courts thee in her best array;
|
|
But like a misshaped and sullen wench,
|
|
Thou puttst up thy Fortune and thy love.
|
|
Take heed, take heed, for such die miserable.
|
|
Go, get thee to thy love as was decreed,
|
|
Ascend her chamber, hence and comfort her.
|
|
But look thou stay not till the watch be set,
|
|
For then thou canst not pass to Mantua;
|
|
Where thou shalt live till we can find a time
|
|
To blaze your marriage, reconcile your friends,
|
|
Beg pardon of the Prince, and call thee back
|
|
With twenty hundred thousand times more joy
|
|
Than thou wentst forth in lamentation.
|
|
Go before, Nurse. Commend me to thy lady,
|
|
And bid her hasten all the house to bed,
|
|
Which heavy sorrow makes them apt unto.
|
|
Romeo is coming.
|
|
|
|
NURSE.
|
|
O Lord, I could have stayd here all the night
|
|
To hear good counsel. O, what learning is!
|
|
My lord, Ill tell my lady you will come.
|
|
|
|
ROMEO.
|
|
Do so, and bid my sweet prepare to chide.
|
|
|
|
NURSE.
|
|
Here sir, a ring she bid me give you, sir.
|
|
Hie you, make haste, for it grows very late.
|
|
|
|
[_Exit._]
|
|
|
|
ROMEO.
|
|
How well my comfort is revivd by this.
|
|
|
|
FRIAR LAWRENCE.
|
|
Go hence, good night, and here stands all your state:
|
|
Either be gone before the watch be set,
|
|
Or by the break of day disguisd from hence.
|
|
Sojourn in Mantua. Ill find out your man,
|
|
And he shall signify from time to time
|
|
Every good hap to you that chances here.
|
|
Give me thy hand; tis late; farewell; good night.
|
|
|
|
ROMEO.
|
|
But that a joy past joy calls out on me,
|
|
It were a grief so brief to part with thee.
|
|
Farewell.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE IV. A Room in Capulets House.
|
|
|
|
Enter Capulet, Lady Capulet and Paris.
|
|
|
|
CAPULET.
|
|
Things have fallen out, sir, so unluckily
|
|
That we have had no time to move our daughter.
|
|
Look you, she lovd her kinsman Tybalt dearly,
|
|
And so did I. Well, we were born to die.
|
|
Tis very late; shell not come down tonight.
|
|
I promise you, but for your company,
|
|
I would have been abed an hour ago.
|
|
|
|
PARIS.
|
|
These times of woe afford no tune to woo.
|
|
Madam, good night. Commend me to your daughter.
|
|
|
|
LADY CAPULET.
|
|
I will, and know her mind early tomorrow;
|
|
Tonight shes mewd up to her heaviness.
|
|
|
|
CAPULET.
|
|
Sir Paris, I will make a desperate tender
|
|
Of my childs love. I think she will be ruld
|
|
In all respects by me; nay more, I doubt it not.
|
|
Wife, go you to her ere you go to bed,
|
|
Acquaint her here of my son Paris love,
|
|
And bid her, mark you me, on Wednesday next,
|
|
But, soft, what day is this?
|
|
|
|
PARIS.
|
|
Monday, my lord.
|
|
|
|
CAPULET.
|
|
Monday! Ha, ha! Well, Wednesday is too soon,
|
|
A Thursday let it be; a Thursday, tell her,
|
|
She shall be married to this noble earl.
|
|
Will you be ready? Do you like this haste?
|
|
Well keep no great ado,a friend or two,
|
|
For, hark you, Tybalt being slain so late,
|
|
It may be thought we held him carelessly,
|
|
Being our kinsman, if we revel much.
|
|
Therefore well have some half a dozen friends,
|
|
And there an end. But what say you to Thursday?
|
|
|
|
PARIS.
|
|
My lord, I would that Thursday were tomorrow.
|
|
|
|
CAPULET.
|
|
Well, get you gone. A Thursday be it then.
|
|
Go you to Juliet ere you go to bed,
|
|
Prepare her, wife, against this wedding day.
|
|
Farewell, my lord.Light to my chamber, ho!
|
|
Afore me, it is so very very late that we
|
|
May call it early by and by. Good night.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE V. An open Gallery to Juliets Chamber, overlooking the Garden.
|
|
|
|
Enter Romeo and Juliet.
|
|
|
|
JULIET.
|
|
Wilt thou be gone? It is not yet near day.
|
|
It was the nightingale, and not the lark,
|
|
That piercd the fearful hollow of thine ear;
|
|
Nightly she sings on yond pomegranate tree.
|
|
Believe me, love, it was the nightingale.
|
|
|
|
ROMEO.
|
|
It was the lark, the herald of the morn,
|
|
No nightingale. Look, love, what envious streaks
|
|
Do lace the severing clouds in yonder east.
|
|
Nights candles are burnt out, and jocund day
|
|
Stands tiptoe on the misty mountain tops.
|
|
I must be gone and live, or stay and die.
|
|
|
|
JULIET.
|
|
Yond light is not daylight, I know it, I.
|
|
It is some meteor that the sun exhales
|
|
To be to thee this night a torchbearer
|
|
And light thee on thy way to Mantua.
|
|
Therefore stay yet, thou needst not to be gone.
|
|
|
|
ROMEO.
|
|
Let me be taen, let me be put to death,
|
|
I am content, so thou wilt have it so.
|
|
Ill say yon grey is not the mornings eye,
|
|
Tis but the pale reflex of Cynthias brow.
|
|
Nor that is not the lark whose notes do beat
|
|
The vaulty heaven so high above our heads.
|
|
I have more care to stay than will to go.
|
|
Come, death, and welcome. Juliet wills it so.
|
|
How ist, my soul? Lets talk. It is not day.
|
|
|
|
JULIET.
|
|
It is, it is! Hie hence, be gone, away.
|
|
It is the lark that sings so out of tune,
|
|
Straining harsh discords and unpleasing sharps.
|
|
Some say the lark makes sweet division;
|
|
This doth not so, for she divideth us.
|
|
Some say the lark and loathed toad change eyes.
|
|
O, now I would they had changd voices too,
|
|
Since arm from arm that voice doth us affray,
|
|
Hunting thee hence with hunts-up to the day.
|
|
O now be gone, more light and light it grows.
|
|
|
|
ROMEO.
|
|
More light and light, more dark and dark our woes.
|
|
|
|
Enter Nurse.
|
|
|
|
NURSE.
|
|
Madam.
|
|
|
|
JULIET.
|
|
Nurse?
|
|
|
|
NURSE.
|
|
Your lady mother is coming to your chamber.
|
|
The day is broke, be wary, look about.
|
|
|
|
[_Exit._]
|
|
|
|
JULIET.
|
|
Then, window, let day in, and let life out.
|
|
|
|
ROMEO.
|
|
Farewell, farewell, one kiss, and Ill descend.
|
|
|
|
[_Descends._]
|
|
|
|
JULIET.
|
|
Art thou gone so? Love, lord, ay husband, friend,
|
|
I must hear from thee every day in the hour,
|
|
For in a minute there are many days.
|
|
O, by this count I shall be much in years
|
|
Ere I again behold my Romeo.
|
|
|
|
ROMEO.
|
|
Farewell!
|
|
I will omit no opportunity
|
|
That may convey my greetings, love, to thee.
|
|
|
|
JULIET.
|
|
O thinkest thou we shall ever meet again?
|
|
|
|
ROMEO.
|
|
I doubt it not, and all these woes shall serve
|
|
For sweet discourses in our time to come.
|
|
|
|
JULIET.
|
|
O God! I have an ill-divining soul!
|
|
Methinks I see thee, now thou art so low,
|
|
As one dead in the bottom of a tomb.
|
|
Either my eyesight fails, or thou lookst pale.
|
|
|
|
ROMEO.
|
|
And trust me, love, in my eye so do you.
|
|
Dry sorrow drinks our blood. Adieu, adieu.
|
|
|
|
[_Exit below._]
|
|
|
|
JULIET.
|
|
O Fortune, Fortune! All men call thee fickle,
|
|
If thou art fickle, what dost thou with him
|
|
That is renownd for faith? Be fickle, Fortune;
|
|
For then, I hope thou wilt not keep him long
|
|
But send him back.
|
|
|
|
LADY CAPULET.
|
|
[_Within._] Ho, daughter, are you up?
|
|
|
|
JULIET.
|
|
Who ist that calls? Is it my lady mother?
|
|
Is she not down so late, or up so early?
|
|
What unaccustomd cause procures her hither?
|
|
|
|
Enter Lady Capulet.
|
|
|
|
LADY CAPULET.
|
|
Why, how now, Juliet?
|
|
|
|
JULIET.
|
|
Madam, I am not well.
|
|
|
|
LADY CAPULET.
|
|
Evermore weeping for your cousins death?
|
|
What, wilt thou wash him from his grave with tears?
|
|
And if thou couldst, thou couldst not make him live.
|
|
Therefore have done: some grief shows much of love,
|
|
But much of grief shows still some want of wit.
|
|
|
|
JULIET.
|
|
Yet let me weep for such a feeling loss.
|
|
|
|
LADY CAPULET.
|
|
So shall you feel the loss, but not the friend
|
|
Which you weep for.
|
|
|
|
JULIET.
|
|
Feeling so the loss,
|
|
I cannot choose but ever weep the friend.
|
|
|
|
LADY CAPULET.
|
|
Well, girl, thou weepst not so much for his death
|
|
As that the villain lives which slaughterd him.
|
|
|
|
JULIET.
|
|
What villain, madam?
|
|
|
|
LADY CAPULET.
|
|
That same villain Romeo.
|
|
|
|
JULIET.
|
|
Villain and he be many miles asunder.
|
|
God pardon him. I do, with all my heart.
|
|
And yet no man like he doth grieve my heart.
|
|
|
|
LADY CAPULET.
|
|
That is because the traitor murderer lives.
|
|
|
|
JULIET.
|
|
Ay madam, from the reach of these my hands.
|
|
Would none but I might venge my cousins death.
|
|
|
|
LADY CAPULET.
|
|
We will have vengeance for it, fear thou not.
|
|
Then weep no more. Ill send to one in Mantua,
|
|
Where that same banishd runagate doth live,
|
|
Shall give him such an unaccustomd dram
|
|
That he shall soon keep Tybalt company:
|
|
And then I hope thou wilt be satisfied.
|
|
|
|
JULIET.
|
|
Indeed I never shall be satisfied
|
|
With Romeo till I behold himdead
|
|
Is my poor heart so for a kinsman vexd.
|
|
Madam, if you could find out but a man
|
|
To bear a poison, I would temper it,
|
|
That Romeo should upon receipt thereof,
|
|
Soon sleep in quiet. O, how my heart abhors
|
|
To hear him namd, and cannot come to him,
|
|
To wreak the love I bore my cousin
|
|
Upon his body that hath slaughterd him.
|
|
|
|
LADY CAPULET.
|
|
Find thou the means, and Ill find such a man.
|
|
But now Ill tell thee joyful tidings, girl.
|
|
|
|
JULIET.
|
|
And joy comes well in such a needy time.
|
|
What are they, I beseech your ladyship?
|
|
|
|
LADY CAPULET.
|
|
Well, well, thou hast a careful father, child;
|
|
One who to put thee from thy heaviness,
|
|
Hath sorted out a sudden day of joy,
|
|
That thou expects not, nor I lookd not for.
|
|
|
|
JULIET.
|
|
Madam, in happy time, what day is that?
|
|
|
|
LADY CAPULET.
|
|
Marry, my child, early next Thursday morn
|
|
The gallant, young, and noble gentleman,
|
|
The County Paris, at Saint Peters Church,
|
|
Shall happily make thee there a joyful bride.
|
|
|
|
JULIET.
|
|
Now by Saint Peters Church, and Peter too,
|
|
He shall not make me there a joyful bride.
|
|
I wonder at this haste, that I must wed
|
|
Ere he that should be husband comes to woo.
|
|
I pray you tell my lord and father, madam,
|
|
I will not marry yet; and when I do, I swear
|
|
It shall be Romeo, whom you know I hate,
|
|
Rather than Paris. These are news indeed.
|
|
|
|
LADY CAPULET.
|
|
Here comes your father, tell him so yourself,
|
|
And see how he will take it at your hands.
|
|
|
|
Enter Capulet and Nurse.
|
|
|
|
CAPULET.
|
|
When the sun sets, the air doth drizzle dew;
|
|
But for the sunset of my brothers son
|
|
It rains downright.
|
|
How now? A conduit, girl? What, still in tears?
|
|
Evermore showering? In one little body
|
|
Thou counterfeits a bark, a sea, a wind.
|
|
For still thy eyes, which I may call the sea,
|
|
Do ebb and flow with tears; the bark thy body is,
|
|
Sailing in this salt flood, the winds, thy sighs,
|
|
Who raging with thy tears and they with them,
|
|
Without a sudden calm will overset
|
|
Thy tempest-tossed body. How now, wife?
|
|
Have you deliverd to her our decree?
|
|
|
|
LADY CAPULET.
|
|
Ay, sir; but she will none, she gives you thanks.
|
|
I would the fool were married to her grave.
|
|
|
|
CAPULET.
|
|
Soft. Take me with you, take me with you, wife.
|
|
How, will she none? Doth she not give us thanks?
|
|
Is she not proud? Doth she not count her blest,
|
|
Unworthy as she is, that we have wrought
|
|
So worthy a gentleman to be her bridegroom?
|
|
|
|
JULIET.
|
|
Not proud you have, but thankful that you have.
|
|
Proud can I never be of what I hate;
|
|
But thankful even for hate that is meant love.
|
|
|
|
CAPULET.
|
|
How now, how now, choppd logic? What is this?
|
|
Proud, and, I thank you, and I thank you not;
|
|
And yet not proud. Mistress minion you,
|
|
Thank me no thankings, nor proud me no prouds,
|
|
But fettle your fine joints gainst Thursday next
|
|
To go with Paris to Saint Peters Church,
|
|
Or I will drag thee on a hurdle thither.
|
|
Out, you green-sickness carrion! Out, you baggage!
|
|
You tallow-face!
|
|
|
|
LADY CAPULET.
|
|
Fie, fie! What, are you mad?
|
|
|
|
JULIET.
|
|
Good father, I beseech you on my knees,
|
|
Hear me with patience but to speak a word.
|
|
|
|
CAPULET.
|
|
Hang thee young baggage, disobedient wretch!
|
|
I tell thee what,get thee to church a Thursday,
|
|
Or never after look me in the face.
|
|
Speak not, reply not, do not answer me.
|
|
My fingers itch. Wife, we scarce thought us blest
|
|
That God had lent us but this only child;
|
|
But now I see this one is one too much,
|
|
And that we have a curse in having her.
|
|
Out on her, hilding.
|
|
|
|
NURSE.
|
|
God in heaven bless her.
|
|
You are to blame, my lord, to rate her so.
|
|
|
|
CAPULET.
|
|
And why, my lady wisdom? Hold your tongue,
|
|
Good prudence; smatter with your gossips, go.
|
|
|
|
NURSE.
|
|
I speak no treason.
|
|
|
|
CAPULET.
|
|
O God ye good-en!
|
|
|
|
NURSE.
|
|
May not one speak?
|
|
|
|
CAPULET.
|
|
Peace, you mumbling fool!
|
|
Utter your gravity oer a gossips bowl,
|
|
For here we need it not.
|
|
|
|
LADY CAPULET.
|
|
You are too hot.
|
|
|
|
CAPULET.
|
|
Gods bread, it makes me mad!
|
|
Day, night, hour, ride, time, work, play,
|
|
Alone, in company, still my care hath been
|
|
To have her matchd, and having now provided
|
|
A gentleman of noble parentage,
|
|
Of fair demesnes, youthful, and nobly allied,
|
|
Stuffd, as they say, with honourable parts,
|
|
Proportiond as ones thought would wish a man,
|
|
And then to have a wretched puling fool,
|
|
A whining mammet, in her fortunes tender,
|
|
To answer, Ill not wed, I cannot love,
|
|
I am too young, I pray you pardon me.
|
|
But, and you will not wed, Ill pardon you.
|
|
Graze where you will, you shall not house with me.
|
|
Look tot, think ont, I do not use to jest.
|
|
Thursday is near; lay hand on heart, advise.
|
|
And you be mine, Ill give you to my friend;
|
|
And you be not, hang, beg, starve, die in the streets,
|
|
For by my soul, Ill neer acknowledge thee,
|
|
Nor what is mine shall never do thee good.
|
|
Trust tot, bethink you, Ill not be forsworn.
|
|
|
|
[_Exit._]
|
|
|
|
JULIET.
|
|
Is there no pity sitting in the clouds,
|
|
That sees into the bottom of my grief?
|
|
O sweet my mother, cast me not away,
|
|
Delay this marriage for a month, a week,
|
|
Or, if you do not, make the bridal bed
|
|
In that dim monument where Tybalt lies.
|
|
|
|
LADY CAPULET.
|
|
Talk not to me, for Ill not speak a word.
|
|
Do as thou wilt, for I have done with thee.
|
|
|
|
[_Exit._]
|
|
|
|
JULIET.
|
|
O God! O Nurse, how shall this be prevented?
|
|
My husband is on earth, my faith in heaven.
|
|
How shall that faith return again to earth,
|
|
Unless that husband send it me from heaven
|
|
By leaving earth? Comfort me, counsel me.
|
|
Alack, alack, that heaven should practise stratagems
|
|
Upon so soft a subject as myself.
|
|
What sayst thou? Hast thou not a word of joy?
|
|
Some comfort, Nurse.
|
|
|
|
NURSE.
|
|
Faith, here it is.
|
|
Romeo is banished; and all the world to nothing
|
|
That he dares neer come back to challenge you.
|
|
Or if he do, it needs must be by stealth.
|
|
Then, since the case so stands as now it doth,
|
|
I think it best you married with the County.
|
|
O, hes a lovely gentleman.
|
|
Romeos a dishclout to him. An eagle, madam,
|
|
Hath not so green, so quick, so fair an eye
|
|
As Paris hath. Beshrew my very heart,
|
|
I think you are happy in this second match,
|
|
For it excels your first: or if it did not,
|
|
Your first is dead, or twere as good he were,
|
|
As living here and you no use of him.
|
|
|
|
JULIET.
|
|
Speakest thou from thy heart?
|
|
|
|
NURSE.
|
|
And from my soul too,
|
|
Or else beshrew them both.
|
|
|
|
JULIET.
|
|
Amen.
|
|
|
|
NURSE.
|
|
What?
|
|
|
|
JULIET.
|
|
Well, thou hast comforted me marvellous much.
|
|
Go in, and tell my lady I am gone,
|
|
Having displeasd my father, to Lawrence cell,
|
|
To make confession and to be absolvd.
|
|
|
|
NURSE.
|
|
Marry, I will; and this is wisely done.
|
|
|
|
[_Exit._]
|
|
|
|
JULIET.
|
|
Ancient damnation! O most wicked fiend!
|
|
Is it more sin to wish me thus forsworn,
|
|
Or to dispraise my lord with that same tongue
|
|
Which she hath praisd him with above compare
|
|
So many thousand times? Go, counsellor.
|
|
Thou and my bosom henceforth shall be twain.
|
|
Ill to the Friar to know his remedy.
|
|
If all else fail, myself have power to die.
|
|
|
|
[_Exit._]
|
|
|
|
|
|
|
|
|
|
ACT IV
|
|
|
|
SCENE I. Friar Lawrences Cell.
|
|
|
|
|
|
Enter Friar Lawrence and Paris.
|
|
|
|
FRIAR LAWRENCE.
|
|
On Thursday, sir? The time is very short.
|
|
|
|
PARIS.
|
|
My father Capulet will have it so;
|
|
And I am nothing slow to slack his haste.
|
|
|
|
FRIAR LAWRENCE.
|
|
You say you do not know the ladys mind.
|
|
Uneven is the course; I like it not.
|
|
|
|
PARIS.
|
|
Immoderately she weeps for Tybalts death,
|
|
And therefore have I little talkd of love;
|
|
For Venus smiles not in a house of tears.
|
|
Now, sir, her father counts it dangerous
|
|
That she do give her sorrow so much sway;
|
|
And in his wisdom, hastes our marriage,
|
|
To stop the inundation of her tears,
|
|
Which, too much minded by herself alone,
|
|
May be put from her by society.
|
|
Now do you know the reason of this haste.
|
|
|
|
FRIAR LAWRENCE.
|
|
[_Aside._] I would I knew not why it should be slowd.
|
|
Look, sir, here comes the lady toward my cell.
|
|
|
|
Enter Juliet.
|
|
|
|
PARIS.
|
|
Happily met, my lady and my wife!
|
|
|
|
JULIET.
|
|
That may be, sir, when I may be a wife.
|
|
|
|
PARIS.
|
|
That may be, must be, love, on Thursday next.
|
|
|
|
JULIET.
|
|
What must be shall be.
|
|
|
|
FRIAR LAWRENCE.
|
|
Thats a certain text.
|
|
|
|
PARIS.
|
|
Come you to make confession to this father?
|
|
|
|
JULIET.
|
|
To answer that, I should confess to you.
|
|
|
|
PARIS.
|
|
Do not deny to him that you love me.
|
|
|
|
JULIET.
|
|
I will confess to you that I love him.
|
|
|
|
PARIS.
|
|
So will ye, I am sure, that you love me.
|
|
|
|
JULIET.
|
|
If I do so, it will be of more price,
|
|
Being spoke behind your back than to your face.
|
|
|
|
PARIS.
|
|
Poor soul, thy face is much abusd with tears.
|
|
|
|
JULIET.
|
|
The tears have got small victory by that;
|
|
For it was bad enough before their spite.
|
|
|
|
PARIS.
|
|
Thou wrongst it more than tears with that report.
|
|
|
|
JULIET.
|
|
That is no slander, sir, which is a truth,
|
|
And what I spake, I spake it to my face.
|
|
|
|
PARIS.
|
|
Thy face is mine, and thou hast slanderd it.
|
|
|
|
JULIET.
|
|
It may be so, for it is not mine own.
|
|
Are you at leisure, holy father, now,
|
|
Or shall I come to you at evening mass?
|
|
|
|
FRIAR LAWRENCE.
|
|
My leisure serves me, pensive daughter, now.
|
|
My lord, we must entreat the time alone.
|
|
|
|
PARIS.
|
|
God shield I should disturb devotion!
|
|
Juliet, on Thursday early will I rouse ye,
|
|
Till then, adieu; and keep this holy kiss.
|
|
|
|
[_Exit._]
|
|
|
|
JULIET.
|
|
O shut the door, and when thou hast done so,
|
|
Come weep with me, past hope, past cure, past help!
|
|
|
|
FRIAR LAWRENCE.
|
|
O Juliet, I already know thy grief;
|
|
It strains me past the compass of my wits.
|
|
I hear thou must, and nothing may prorogue it,
|
|
On Thursday next be married to this County.
|
|
|
|
JULIET.
|
|
Tell me not, Friar, that thou hearst of this,
|
|
Unless thou tell me how I may prevent it.
|
|
If in thy wisdom, thou canst give no help,
|
|
Do thou but call my resolution wise,
|
|
And with this knife Ill help it presently.
|
|
God joind my heart and Romeos, thou our hands;
|
|
And ere this hand, by thee to Romeos seald,
|
|
Shall be the label to another deed,
|
|
Or my true heart with treacherous revolt
|
|
Turn to another, this shall slay them both.
|
|
Therefore, out of thy long-experiencd time,
|
|
Give me some present counsel, or behold
|
|
Twixt my extremes and me this bloody knife
|
|
Shall play the empire, arbitrating that
|
|
Which the commission of thy years and art
|
|
Could to no issue of true honour bring.
|
|
Be not so long to speak. I long to die,
|
|
If what thou speakst speak not of remedy.
|
|
|
|
FRIAR LAWRENCE.
|
|
Hold, daughter. I do spy a kind of hope,
|
|
Which craves as desperate an execution
|
|
As that is desperate which we would prevent.
|
|
If, rather than to marry County Paris
|
|
Thou hast the strength of will to slay thyself,
|
|
Then is it likely thou wilt undertake
|
|
A thing like death to chide away this shame,
|
|
That copst with death himself to scape from it.
|
|
And if thou darst, Ill give thee remedy.
|
|
|
|
JULIET.
|
|
O, bid me leap, rather than marry Paris,
|
|
From off the battlements of yonder tower,
|
|
Or walk in thievish ways, or bid me lurk
|
|
Where serpents are. Chain me with roaring bears;
|
|
Or hide me nightly in a charnel-house,
|
|
Oer-coverd quite with dead mens rattling bones,
|
|
With reeky shanks and yellow chapless skulls.
|
|
Or bid me go into a new-made grave,
|
|
And hide me with a dead man in his shroud;
|
|
Things that, to hear them told, have made me tremble,
|
|
And I will do it without fear or doubt,
|
|
To live an unstaind wife to my sweet love.
|
|
|
|
FRIAR LAWRENCE.
|
|
Hold then. Go home, be merry, give consent
|
|
To marry Paris. Wednesday is tomorrow;
|
|
Tomorrow night look that thou lie alone,
|
|
Let not thy Nurse lie with thee in thy chamber.
|
|
Take thou this vial, being then in bed,
|
|
And this distilled liquor drink thou off,
|
|
When presently through all thy veins shall run
|
|
A cold and drowsy humour; for no pulse
|
|
Shall keep his native progress, but surcease.
|
|
No warmth, no breath shall testify thou livest,
|
|
The roses in thy lips and cheeks shall fade
|
|
To paly ashes; thy eyes windows fall,
|
|
Like death when he shuts up the day of life.
|
|
Each part deprivd of supple government,
|
|
Shall stiff and stark and cold appear like death.
|
|
And in this borrowd likeness of shrunk death
|
|
Thou shalt continue two and forty hours,
|
|
And then awake as from a pleasant sleep.
|
|
Now when the bridegroom in the morning comes
|
|
To rouse thee from thy bed, there art thou dead.
|
|
Then as the manner of our country is,
|
|
In thy best robes, uncoverd, on the bier,
|
|
Thou shalt be borne to that same ancient vault
|
|
Where all the kindred of the Capulets lie.
|
|
In the meantime, against thou shalt awake,
|
|
Shall Romeo by my letters know our drift,
|
|
And hither shall he come, and he and I
|
|
Will watch thy waking, and that very night
|
|
Shall Romeo bear thee hence to Mantua.
|
|
And this shall free thee from this present shame,
|
|
If no inconstant toy nor womanish fear
|
|
Abate thy valour in the acting it.
|
|
|
|
JULIET.
|
|
Give me, give me! O tell not me of fear!
|
|
|
|
FRIAR LAWRENCE.
|
|
Hold; get you gone, be strong and prosperous
|
|
In this resolve. Ill send a friar with speed
|
|
To Mantua, with my letters to thy lord.
|
|
|
|
JULIET.
|
|
Love give me strength, and strength shall help afford.
|
|
Farewell, dear father.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE II. Hall in Capulets House.
|
|
|
|
Enter Capulet, Lady Capulet, Nurse and Servants.
|
|
|
|
CAPULET.
|
|
So many guests invite as here are writ.
|
|
|
|
[_Exit first Servant._]
|
|
|
|
Sirrah, go hire me twenty cunning cooks.
|
|
|
|
SECOND SERVANT.
|
|
You shall have none ill, sir; for Ill try if they can lick their
|
|
fingers.
|
|
|
|
CAPULET.
|
|
How canst thou try them so?
|
|
|
|
SECOND SERVANT.
|
|
Marry, sir, tis an ill cook that cannot lick his own fingers;
|
|
therefore he that cannot lick his fingers goes not with me.
|
|
|
|
CAPULET.
|
|
Go, begone.
|
|
|
|
[_Exit second Servant._]
|
|
|
|
We shall be much unfurnishd for this time.
|
|
What, is my daughter gone to Friar Lawrence?
|
|
|
|
NURSE.
|
|
Ay, forsooth.
|
|
|
|
CAPULET.
|
|
Well, he may chance to do some good on her.
|
|
A peevish self-willd harlotry it is.
|
|
|
|
Enter Juliet.
|
|
|
|
NURSE.
|
|
See where she comes from shrift with merry look.
|
|
|
|
CAPULET.
|
|
How now, my headstrong. Where have you been gadding?
|
|
|
|
JULIET.
|
|
Where I have learnt me to repent the sin
|
|
Of disobedient opposition
|
|
To you and your behests; and am enjoind
|
|
By holy Lawrence to fall prostrate here,
|
|
To beg your pardon. Pardon, I beseech you.
|
|
Henceforward I am ever ruld by you.
|
|
|
|
CAPULET.
|
|
Send for the County, go tell him of this.
|
|
Ill have this knot knit up tomorrow morning.
|
|
|
|
JULIET.
|
|
I met the youthful lord at Lawrence cell,
|
|
And gave him what becomed love I might,
|
|
Not stepping oer the bounds of modesty.
|
|
|
|
CAPULET.
|
|
Why, I am glad ont. This is well. Stand up.
|
|
This is ast should be. Let me see the County.
|
|
Ay, marry. Go, I say, and fetch him hither.
|
|
Now afore God, this reverend holy Friar,
|
|
All our whole city is much bound to him.
|
|
|
|
JULIET.
|
|
Nurse, will you go with me into my closet,
|
|
To help me sort such needful ornaments
|
|
As you think fit to furnish me tomorrow?
|
|
|
|
LADY CAPULET.
|
|
No, not till Thursday. There is time enough.
|
|
|
|
CAPULET.
|
|
Go, Nurse, go with her. Well to church tomorrow.
|
|
|
|
[_Exeunt Juliet and Nurse._]
|
|
|
|
LADY CAPULET.
|
|
We shall be short in our provision,
|
|
Tis now near night.
|
|
|
|
CAPULET.
|
|
Tush, I will stir about,
|
|
And all things shall be well, I warrant thee, wife.
|
|
Go thou to Juliet, help to deck up her.
|
|
Ill not to bed tonight, let me alone.
|
|
Ill play the housewife for this once.What, ho!
|
|
They are all forth: well, I will walk myself
|
|
To County Paris, to prepare him up
|
|
Against tomorrow. My heart is wondrous light
|
|
Since this same wayward girl is so reclaimd.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE III. Juliets Chamber.
|
|
|
|
Enter Juliet and Nurse.
|
|
|
|
JULIET.
|
|
Ay, those attires are best. But, gentle Nurse,
|
|
I pray thee leave me to myself tonight;
|
|
For I have need of many orisons
|
|
To move the heavens to smile upon my state,
|
|
Which, well thou knowst, is cross and full of sin.
|
|
|
|
Enter Lady Capulet.
|
|
|
|
LADY CAPULET.
|
|
What, are you busy, ho? Need you my help?
|
|
|
|
JULIET.
|
|
No, madam; we have culld such necessaries
|
|
As are behoveful for our state tomorrow.
|
|
So please you, let me now be left alone,
|
|
And let the nurse this night sit up with you,
|
|
For I am sure you have your hands full all
|
|
In this so sudden business.
|
|
|
|
LADY CAPULET.
|
|
Good night.
|
|
Get thee to bed and rest, for thou hast need.
|
|
|
|
[_Exeunt Lady Capulet and Nurse._]
|
|
|
|
JULIET.
|
|
Farewell. God knows when we shall meet again.
|
|
I have a faint cold fear thrills through my veins
|
|
That almost freezes up the heat of life.
|
|
Ill call them back again to comfort me.
|
|
Nurse!What should she do here?
|
|
My dismal scene I needs must act alone.
|
|
Come, vial.
|
|
What if this mixture do not work at all?
|
|
Shall I be married then tomorrow morning?
|
|
No, No! This shall forbid it. Lie thou there.
|
|
|
|
[_Laying down her dagger._]
|
|
|
|
What if it be a poison, which the Friar
|
|
Subtly hath ministerd to have me dead,
|
|
Lest in this marriage he should be dishonourd,
|
|
Because he married me before to Romeo?
|
|
I fear it is. And yet methinks it should not,
|
|
For he hath still been tried a holy man.
|
|
How if, when I am laid into the tomb,
|
|
I wake before the time that Romeo
|
|
Come to redeem me? Theres a fearful point!
|
|
Shall I not then be stifled in the vault,
|
|
To whose foul mouth no healthsome air breathes in,
|
|
And there die strangled ere my Romeo comes?
|
|
Or, if I live, is it not very like,
|
|
The horrible conceit of death and night,
|
|
Together with the terror of the place,
|
|
As in a vault, an ancient receptacle,
|
|
Where for this many hundred years the bones
|
|
Of all my buried ancestors are packd,
|
|
Where bloody Tybalt, yet but green in earth,
|
|
Lies festering in his shroud; where, as they say,
|
|
At some hours in the night spirits resort
|
|
Alack, alack, is it not like that I,
|
|
So early waking, what with loathsome smells,
|
|
And shrieks like mandrakes torn out of the earth,
|
|
That living mortals, hearing them, run mad.
|
|
O, if I wake, shall I not be distraught,
|
|
Environed with all these hideous fears,
|
|
And madly play with my forefathers joints?
|
|
And pluck the mangled Tybalt from his shroud?
|
|
And, in this rage, with some great kinsmans bone,
|
|
As with a club, dash out my desperate brains?
|
|
O look, methinks I see my cousins ghost
|
|
Seeking out Romeo that did spit his body
|
|
Upon a rapiers point. Stay, Tybalt, stay!
|
|
Romeo, Romeo, Romeo, heres drink! I drink to thee.
|
|
|
|
[_Throws herself on the bed._]
|
|
|
|
SCENE IV. Hall in Capulets House.
|
|
|
|
Enter Lady Capulet and Nurse.
|
|
|
|
LADY CAPULET.
|
|
Hold, take these keys and fetch more spices, Nurse.
|
|
|
|
NURSE.
|
|
They call for dates and quinces in the pastry.
|
|
|
|
Enter Capulet.
|
|
|
|
CAPULET.
|
|
Come, stir, stir, stir! The second cock hath crowd,
|
|
The curfew bell hath rung, tis three oclock.
|
|
Look to the bakd meats, good Angelica;
|
|
Spare not for cost.
|
|
|
|
NURSE.
|
|
Go, you cot-quean, go,
|
|
Get you to bed; faith, youll be sick tomorrow
|
|
For this nights watching.
|
|
|
|
CAPULET.
|
|
No, not a whit. What! I have watchd ere now
|
|
All night for lesser cause, and neer been sick.
|
|
|
|
LADY CAPULET.
|
|
Ay, you have been a mouse-hunt in your time;
|
|
But I will watch you from such watching now.
|
|
|
|
[_Exeunt Lady Capulet and Nurse._]
|
|
|
|
CAPULET.
|
|
A jealous-hood, a jealous-hood!
|
|
|
|
Enter Servants, with spits, logs and baskets.
|
|
|
|
Now, fellow, whats there?
|
|
|
|
FIRST SERVANT.
|
|
Things for the cook, sir; but I know not what.
|
|
|
|
CAPULET.
|
|
Make haste, make haste.
|
|
|
|
[_Exit First Servant._]
|
|
|
|
Sirrah, fetch drier logs.
|
|
Call Peter, he will show thee where they are.
|
|
|
|
SECOND SERVANT.
|
|
I have a head, sir, that will find out logs
|
|
And never trouble Peter for the matter.
|
|
|
|
[_Exit._]
|
|
|
|
CAPULET.
|
|
Mass and well said; a merry whoreson, ha.
|
|
Thou shalt be loggerhead.Good faith, tis day.
|
|
The County will be here with music straight,
|
|
For so he said he would. I hear him near.
|
|
|
|
[_Play music._]
|
|
|
|
Nurse! Wife! What, ho! What, Nurse, I say!
|
|
|
|
Re-enter Nurse.
|
|
|
|
Go waken Juliet, go and trim her up.
|
|
Ill go and chat with Paris. Hie, make haste,
|
|
Make haste; the bridegroom he is come already.
|
|
Make haste I say.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE V. Juliets Chamber; Juliet on the bed.
|
|
|
|
Enter Nurse.
|
|
|
|
NURSE.
|
|
Mistress! What, mistress! Juliet! Fast, I warrant her, she.
|
|
Why, lamb, why, lady, fie, you slug-abed!
|
|
Why, love, I say! Madam! Sweetheart! Why, bride!
|
|
What, not a word? You take your pennyworths now.
|
|
Sleep for a week; for the next night, I warrant,
|
|
The County Paris hath set up his rest
|
|
That you shall rest but little. God forgive me!
|
|
Marry and amen. How sound is she asleep!
|
|
I needs must wake her. Madam, madam, madam!
|
|
Ay, let the County take you in your bed,
|
|
Hell fright you up, ifaith. Will it not be?
|
|
What, dressd, and in your clothes, and down again?
|
|
I must needs wake you. Lady! Lady! Lady!
|
|
Alas, alas! Help, help! My ladys dead!
|
|
O, well-a-day that ever I was born.
|
|
Some aqua vitae, ho! My lord! My lady!
|
|
|
|
Enter Lady Capulet.
|
|
|
|
LADY CAPULET.
|
|
What noise is here?
|
|
|
|
NURSE.
|
|
O lamentable day!
|
|
|
|
LADY CAPULET.
|
|
What is the matter?
|
|
|
|
NURSE.
|
|
Look, look! O heavy day!
|
|
|
|
LADY CAPULET.
|
|
O me, O me! My child, my only life.
|
|
Revive, look up, or I will die with thee.
|
|
Help, help! Call help.
|
|
|
|
Enter Capulet.
|
|
|
|
CAPULET.
|
|
For shame, bring Juliet forth, her lord is come.
|
|
|
|
NURSE.
|
|
Shes dead, deceasd, shes dead; alack the day!
|
|
|
|
LADY CAPULET.
|
|
Alack the day, shes dead, shes dead, shes dead!
|
|
|
|
CAPULET.
|
|
Ha! Let me see her. Out alas! Shes cold,
|
|
Her blood is settled and her joints are stiff.
|
|
Life and these lips have long been separated.
|
|
Death lies on her like an untimely frost
|
|
Upon the sweetest flower of all the field.
|
|
|
|
NURSE.
|
|
O lamentable day!
|
|
|
|
LADY CAPULET.
|
|
O woful time!
|
|
|
|
CAPULET.
|
|
Death, that hath taen her hence to make me wail,
|
|
Ties up my tongue and will not let me speak.
|
|
|
|
Enter Friar Lawrence and Paris with Musicians.
|
|
|
|
FRIAR LAWRENCE.
|
|
Come, is the bride ready to go to church?
|
|
|
|
CAPULET.
|
|
Ready to go, but never to return.
|
|
O son, the night before thy wedding day
|
|
Hath death lain with thy bride. There she lies,
|
|
Flower as she was, deflowered by him.
|
|
Death is my son-in-law, death is my heir;
|
|
My daughter he hath wedded. I will die
|
|
And leave him all; life, living, all is deaths.
|
|
|
|
PARIS.
|
|
Have I thought long to see this mornings face,
|
|
And doth it give me such a sight as this?
|
|
|
|
LADY CAPULET.
|
|
Accursd, unhappy, wretched, hateful day.
|
|
Most miserable hour that eer time saw
|
|
In lasting labour of his pilgrimage.
|
|
But one, poor one, one poor and loving child,
|
|
But one thing to rejoice and solace in,
|
|
And cruel death hath catchd it from my sight.
|
|
|
|
NURSE.
|
|
O woe! O woeful, woeful, woeful day.
|
|
Most lamentable day, most woeful day
|
|
That ever, ever, I did yet behold!
|
|
O day, O day, O day, O hateful day.
|
|
Never was seen so black a day as this.
|
|
O woeful day, O woeful day.
|
|
|
|
PARIS.
|
|
Beguild, divorced, wronged, spited, slain.
|
|
Most detestable death, by thee beguild,
|
|
By cruel, cruel thee quite overthrown.
|
|
O love! O life! Not life, but love in death!
|
|
|
|
CAPULET.
|
|
Despisd, distressed, hated, martyrd, killd.
|
|
Uncomfortable time, why camst thou now
|
|
To murder, murder our solemnity?
|
|
O child! O child! My soul, and not my child,
|
|
Dead art thou. Alack, my child is dead,
|
|
And with my child my joys are buried.
|
|
|
|
FRIAR LAWRENCE.
|
|
Peace, ho, for shame. Confusions cure lives not
|
|
In these confusions. Heaven and yourself
|
|
Had part in this fair maid, now heaven hath all,
|
|
And all the better is it for the maid.
|
|
Your part in her you could not keep from death,
|
|
But heaven keeps his part in eternal life.
|
|
The most you sought was her promotion,
|
|
For twas your heaven she should be advancd,
|
|
And weep ye now, seeing she is advancd
|
|
Above the clouds, as high as heaven itself?
|
|
O, in this love, you love your child so ill
|
|
That you run mad, seeing that she is well.
|
|
Shes not well married that lives married long,
|
|
But shes best married that dies married young.
|
|
Dry up your tears, and stick your rosemary
|
|
On this fair corse, and, as the custom is,
|
|
And in her best array bear her to church;
|
|
For though fond nature bids us all lament,
|
|
Yet natures tears are reasons merriment.
|
|
|
|
CAPULET.
|
|
All things that we ordained festival
|
|
Turn from their office to black funeral:
|
|
Our instruments to melancholy bells,
|
|
Our wedding cheer to a sad burial feast;
|
|
Our solemn hymns to sullen dirges change;
|
|
Our bridal flowers serve for a buried corse,
|
|
And all things change them to the contrary.
|
|
|
|
FRIAR LAWRENCE.
|
|
Sir, go you in, and, madam, go with him,
|
|
And go, Sir Paris, everyone prepare
|
|
To follow this fair corse unto her grave.
|
|
The heavens do lower upon you for some ill;
|
|
Move them no more by crossing their high will.
|
|
|
|
[_Exeunt Capulet, Lady Capulet, Paris and Friar._]
|
|
|
|
FIRST MUSICIAN.
|
|
Faith, we may put up our pipes and be gone.
|
|
|
|
NURSE.
|
|
Honest good fellows, ah, put up, put up,
|
|
For well you know this is a pitiful case.
|
|
|
|
FIRST MUSICIAN.
|
|
Ay, by my troth, the case may be amended.
|
|
|
|
[_Exit Nurse._]
|
|
|
|
Enter Peter.
|
|
|
|
PETER.
|
|
Musicians, O, musicians, Hearts ease, Hearts ease, O, and you
|
|
will have me live, play Hearts ease.
|
|
|
|
FIRST MUSICIAN.
|
|
Why Hearts ease?
|
|
|
|
PETER.
|
|
O musicians, because my heart itself plays My heart is full. O play
|
|
me some merry dump to comfort me.
|
|
|
|
FIRST MUSICIAN.
|
|
Not a dump we, tis no time to play now.
|
|
|
|
PETER.
|
|
You will not then?
|
|
|
|
FIRST MUSICIAN.
|
|
No.
|
|
|
|
PETER.
|
|
I will then give it you soundly.
|
|
|
|
FIRST MUSICIAN.
|
|
What will you give us?
|
|
|
|
PETER.
|
|
No money, on my faith, but the gleek! I will give you the minstrel.
|
|
|
|
FIRST MUSICIAN.
|
|
Then will I give you the serving-creature.
|
|
|
|
PETER.
|
|
Then will I lay the serving-creatures dagger on your pate. I will
|
|
carry no crotchets. Ill re you, Ill fa you. Do you note me?
|
|
|
|
FIRST MUSICIAN.
|
|
And you re us and fa us, you note us.
|
|
|
|
SECOND MUSICIAN.
|
|
Pray you put up your dagger, and put out your wit.
|
|
|
|
PETER.
|
|
Then have at you with my wit. I will dry-beat you with an iron wit, and
|
|
put up my iron dagger. Answer me like men.
|
|
When griping griefs the heart doth wound,
|
|
And doleful dumps the mind oppress,
|
|
Then music with her silver sound
|
|
Why silver sound? Why music with her silver sound? What say you,
|
|
Simon Catling?
|
|
|
|
FIRST MUSICIAN.
|
|
Marry, sir, because silver hath a sweet sound.
|
|
|
|
PETER.
|
|
Prates. What say you, Hugh Rebeck?
|
|
|
|
SECOND MUSICIAN.
|
|
I say silver sound because musicians sound for silver.
|
|
|
|
PETER.
|
|
Prates too! What say you, James Soundpost?
|
|
|
|
THIRD MUSICIAN.
|
|
Faith, I know not what to say.
|
|
|
|
PETER.
|
|
O, I cry you mercy, you are the singer. I will say for you. It is
|
|
music with her silver sound because musicians have no gold for
|
|
sounding.
|
|
Then music with her silver sound
|
|
With speedy help doth lend redress.
|
|
|
|
[_Exit._]
|
|
|
|
FIRST MUSICIAN.
|
|
What a pestilent knave is this same!
|
|
|
|
SECOND MUSICIAN.
|
|
Hang him, Jack. Come, well in here, tarry for the mourners, and stay
|
|
dinner.
|
|
|
|
[_Exeunt._]
|
|
|
|
|
|
|
|
|
|
ACT V
|
|
|
|
SCENE I. Mantua. A Street.
|
|
|
|
|
|
Enter Romeo.
|
|
|
|
ROMEO.
|
|
If I may trust the flattering eye of sleep,
|
|
My dreams presage some joyful news at hand.
|
|
My bosoms lord sits lightly in his throne;
|
|
And all this day an unaccustomd spirit
|
|
Lifts me above the ground with cheerful thoughts.
|
|
I dreamt my lady came and found me dead,
|
|
Strange dream, that gives a dead man leave to think!
|
|
And breathd such life with kisses in my lips,
|
|
That I revivd, and was an emperor.
|
|
Ah me, how sweet is love itself possessd,
|
|
When but loves shadows are so rich in joy.
|
|
|
|
Enter Balthasar.
|
|
|
|
News from Verona! How now, Balthasar?
|
|
Dost thou not bring me letters from the Friar?
|
|
How doth my lady? Is my father well?
|
|
How fares my Juliet? That I ask again;
|
|
For nothing can be ill if she be well.
|
|
|
|
BALTHASAR.
|
|
Then she is well, and nothing can be ill.
|
|
Her body sleeps in Capels monument,
|
|
And her immortal part with angels lives.
|
|
I saw her laid low in her kindreds vault,
|
|
And presently took post to tell it you.
|
|
O pardon me for bringing these ill news,
|
|
Since you did leave it for my office, sir.
|
|
|
|
ROMEO.
|
|
Is it even so? Then I defy you, stars!
|
|
Thou knowst my lodging. Get me ink and paper,
|
|
And hire post-horses. I will hence tonight.
|
|
|
|
BALTHASAR.
|
|
I do beseech you sir, have patience.
|
|
Your looks are pale and wild, and do import
|
|
Some misadventure.
|
|
|
|
ROMEO.
|
|
Tush, thou art deceivd.
|
|
Leave me, and do the thing I bid thee do.
|
|
Hast thou no letters to me from the Friar?
|
|
|
|
BALTHASAR.
|
|
No, my good lord.
|
|
|
|
ROMEO.
|
|
No matter. Get thee gone,
|
|
And hire those horses. Ill be with thee straight.
|
|
|
|
[_Exit Balthasar._]
|
|
|
|
Well, Juliet, I will lie with thee tonight.
|
|
Lets see for means. O mischief thou art swift
|
|
To enter in the thoughts of desperate men.
|
|
I do remember an apothecary,
|
|
And hereabouts he dwells,which late I noted
|
|
In tatterd weeds, with overwhelming brows,
|
|
Culling of simples, meagre were his looks,
|
|
Sharp misery had worn him to the bones;
|
|
And in his needy shop a tortoise hung,
|
|
An alligator stuffd, and other skins
|
|
Of ill-shaped fishes; and about his shelves
|
|
A beggarly account of empty boxes,
|
|
Green earthen pots, bladders, and musty seeds,
|
|
Remnants of packthread, and old cakes of roses
|
|
Were thinly scatterd, to make up a show.
|
|
Noting this penury, to myself I said,
|
|
And if a man did need a poison now,
|
|
Whose sale is present death in Mantua,
|
|
Here lives a caitiff wretch would sell it him.
|
|
O, this same thought did but forerun my need,
|
|
And this same needy man must sell it me.
|
|
As I remember, this should be the house.
|
|
Being holiday, the beggars shop is shut.
|
|
What, ho! Apothecary!
|
|
|
|
Enter Apothecary.
|
|
|
|
APOTHECARY.
|
|
Who calls so loud?
|
|
|
|
ROMEO.
|
|
Come hither, man. I see that thou art poor.
|
|
Hold, there is forty ducats. Let me have
|
|
A dram of poison, such soon-speeding gear
|
|
As will disperse itself through all the veins,
|
|
That the life-weary taker may fall dead,
|
|
And that the trunk may be dischargd of breath
|
|
As violently as hasty powder fird
|
|
Doth hurry from the fatal cannons womb.
|
|
|
|
APOTHECARY.
|
|
Such mortal drugs I have, but Mantuas law
|
|
Is death to any he that utters them.
|
|
|
|
ROMEO.
|
|
Art thou so bare and full of wretchedness,
|
|
And fearst to die? Famine is in thy cheeks,
|
|
Need and oppression starveth in thine eyes,
|
|
Contempt and beggary hangs upon thy back.
|
|
The world is not thy friend, nor the worlds law;
|
|
The world affords no law to make thee rich;
|
|
Then be not poor, but break it and take this.
|
|
|
|
APOTHECARY.
|
|
My poverty, but not my will consents.
|
|
|
|
ROMEO.
|
|
I pay thy poverty, and not thy will.
|
|
|
|
APOTHECARY.
|
|
Put this in any liquid thing you will
|
|
And drink it off; and, if you had the strength
|
|
Of twenty men, it would despatch you straight.
|
|
|
|
ROMEO.
|
|
There is thy gold, worse poison to mens souls,
|
|
Doing more murder in this loathsome world
|
|
Than these poor compounds that thou mayst not sell.
|
|
I sell thee poison, thou hast sold me none.
|
|
Farewell, buy food, and get thyself in flesh.
|
|
Come, cordial and not poison, go with me
|
|
To Juliets grave, for there must I use thee.
|
|
|
|
[_Exeunt._]
|
|
|
|
SCENE II. Friar Lawrences Cell.
|
|
|
|
Enter Friar John.
|
|
|
|
FRIAR JOHN.
|
|
Holy Franciscan Friar! Brother, ho!
|
|
|
|
Enter Friar Lawrence.
|
|
|
|
FRIAR LAWRENCE.
|
|
This same should be the voice of Friar John.
|
|
Welcome from Mantua. What says Romeo?
|
|
Or, if his mind be writ, give me his letter.
|
|
|
|
FRIAR JOHN.
|
|
Going to find a barefoot brother out,
|
|
One of our order, to associate me,
|
|
Here in this city visiting the sick,
|
|
And finding him, the searchers of the town,
|
|
Suspecting that we both were in a house
|
|
Where the infectious pestilence did reign,
|
|
Seald up the doors, and would not let us forth,
|
|
So that my speed to Mantua there was stayd.
|
|
|
|
FRIAR LAWRENCE.
|
|
Who bare my letter then to Romeo?
|
|
|
|
FRIAR JOHN.
|
|
I could not send it,here it is again,
|
|
Nor get a messenger to bring it thee,
|
|
So fearful were they of infection.
|
|
|
|
FRIAR LAWRENCE.
|
|
Unhappy fortune! By my brotherhood,
|
|
The letter was not nice, but full of charge,
|
|
Of dear import, and the neglecting it
|
|
May do much danger. Friar John, go hence,
|
|
Get me an iron crow and bring it straight
|
|
Unto my cell.
|
|
|
|
FRIAR JOHN.
|
|
Brother, Ill go and bring it thee.
|
|
|
|
[_Exit._]
|
|
|
|
FRIAR LAWRENCE.
|
|
Now must I to the monument alone.
|
|
Within this three hours will fair Juliet wake.
|
|
She will beshrew me much that Romeo
|
|
Hath had no notice of these accidents;
|
|
But I will write again to Mantua,
|
|
And keep her at my cell till Romeo come.
|
|
Poor living corse, closd in a dead mans tomb.
|
|
|
|
[_Exit._]
|
|
|
|
SCENE III. A churchyard; in it a Monument belonging to the Capulets.
|
|
|
|
Enter Paris, and his Page bearing flowers and a torch.
|
|
|
|
PARIS.
|
|
Give me thy torch, boy. Hence and stand aloof.
|
|
Yet put it out, for I would not be seen.
|
|
Under yond yew tree lay thee all along,
|
|
Holding thy ear close to the hollow ground;
|
|
So shall no foot upon the churchyard tread,
|
|
Being loose, unfirm, with digging up of graves,
|
|
But thou shalt hear it. Whistle then to me,
|
|
As signal that thou hearst something approach.
|
|
Give me those flowers. Do as I bid thee, go.
|
|
|
|
PAGE.
|
|
[_Aside._] I am almost afraid to stand alone
|
|
Here in the churchyard; yet I will adventure.
|
|
|
|
[_Retires._]
|
|
|
|
PARIS.
|
|
Sweet flower, with flowers thy bridal bed I strew.
|
|
O woe, thy canopy is dust and stones,
|
|
Which with sweet water nightly I will dew,
|
|
Or wanting that, with tears distilld by moans.
|
|
The obsequies that I for thee will keep,
|
|
Nightly shall be to strew thy grave and weep.
|
|
|
|
[_The Page whistles._]
|
|
|
|
The boy gives warning something doth approach.
|
|
What cursed foot wanders this way tonight,
|
|
To cross my obsequies and true loves rite?
|
|
What, with a torch! Muffle me, night, awhile.
|
|
|
|
[_Retires._]
|
|
|
|
Enter Romeo and Balthasar with a torch, mattock, &c.
|
|
|
|
ROMEO.
|
|
Give me that mattock and the wrenching iron.
|
|
Hold, take this letter; early in the morning
|
|
See thou deliver it to my lord and father.
|
|
Give me the light; upon thy life I charge thee,
|
|
Whateer thou hearst or seest, stand all aloof
|
|
And do not interrupt me in my course.
|
|
Why I descend into this bed of death
|
|
Is partly to behold my ladys face,
|
|
But chiefly to take thence from her dead finger
|
|
A precious ring, a ring that I must use
|
|
In dear employment. Therefore hence, be gone.
|
|
But if thou jealous dost return to pry
|
|
In what I further shall intend to do,
|
|
By heaven I will tear thee joint by joint,
|
|
And strew this hungry churchyard with thy limbs.
|
|
The time and my intents are savage-wild;
|
|
More fierce and more inexorable far
|
|
Than empty tigers or the roaring sea.
|
|
|
|
BALTHASAR.
|
|
I will be gone, sir, and not trouble you.
|
|
|
|
ROMEO.
|
|
So shalt thou show me friendship. Take thou that.
|
|
Live, and be prosperous, and farewell, good fellow.
|
|
|
|
BALTHASAR.
|
|
For all this same, Ill hide me hereabout.
|
|
His looks I fear, and his intents I doubt.
|
|
|
|
[_Retires_]
|
|
|
|
ROMEO.
|
|
Thou detestable maw, thou womb of death,
|
|
Gorgd with the dearest morsel of the earth,
|
|
Thus I enforce thy rotten jaws to open,
|
|
|
|
[_Breaking open the door of the monument._]
|
|
|
|
And in despite, Ill cram thee with more food.
|
|
|
|
PARIS.
|
|
This is that banishd haughty Montague
|
|
That murderd my loves cousin,with which grief,
|
|
It is supposed, the fair creature died,
|
|
And here is come to do some villainous shame
|
|
To the dead bodies. I will apprehend him.
|
|
|
|
[_Advances._]
|
|
|
|
Stop thy unhallowd toil, vile Montague.
|
|
Can vengeance be pursud further than death?
|
|
Condemned villain, I do apprehend thee.
|
|
Obey, and go with me, for thou must die.
|
|
|
|
ROMEO.
|
|
I must indeed; and therefore came I hither.
|
|
Good gentle youth, tempt not a desperate man.
|
|
Fly hence and leave me. Think upon these gone;
|
|
Let them affright thee. I beseech thee, youth,
|
|
Put not another sin upon my head
|
|
By urging me to fury. O be gone.
|
|
By heaven I love thee better than myself;
|
|
For I come hither armd against myself.
|
|
Stay not, be gone, live, and hereafter say,
|
|
A madmans mercy bid thee run away.
|
|
|
|
PARIS.
|
|
I do defy thy conjuration,
|
|
And apprehend thee for a felon here.
|
|
|
|
ROMEO.
|
|
Wilt thou provoke me? Then have at thee, boy!
|
|
|
|
[_They fight._]
|
|
|
|
PAGE.
|
|
O lord, they fight! I will go call the watch.
|
|
|
|
[_Exit._]
|
|
|
|
PARIS.
|
|
O, I am slain! [_Falls._] If thou be merciful,
|
|
Open the tomb, lay me with Juliet.
|
|
|
|
[_Dies._]
|
|
|
|
ROMEO.
|
|
In faith, I will. Let me peruse this face.
|
|
Mercutios kinsman, noble County Paris!
|
|
What said my man, when my betossed soul
|
|
Did not attend him as we rode? I think
|
|
He told me Paris should have married Juliet.
|
|
Said he not so? Or did I dream it so?
|
|
Or am I mad, hearing him talk of Juliet,
|
|
To think it was so? O, give me thy hand,
|
|
One writ with me in sour misfortunes book.
|
|
Ill bury thee in a triumphant grave.
|
|
A grave? O no, a lantern, slaughtred youth,
|
|
For here lies Juliet, and her beauty makes
|
|
This vault a feasting presence full of light.
|
|
Death, lie thou there, by a dead man interrd.
|
|
|
|
[_Laying Paris in the monument._]
|
|
|
|
How oft when men are at the point of death
|
|
Have they been merry! Which their keepers call
|
|
A lightning before death. O, how may I
|
|
Call this a lightning? O my love, my wife,
|
|
Death that hath suckd the honey of thy breath,
|
|
Hath had no power yet upon thy beauty.
|
|
Thou art not conquerd. Beautys ensign yet
|
|
Is crimson in thy lips and in thy cheeks,
|
|
And deaths pale flag is not advanced there.
|
|
Tybalt, liest thou there in thy bloody sheet?
|
|
O, what more favour can I do to thee
|
|
Than with that hand that cut thy youth in twain
|
|
To sunder his that was thine enemy?
|
|
Forgive me, cousin. Ah, dear Juliet,
|
|
Why art thou yet so fair? Shall I believe
|
|
That unsubstantial death is amorous;
|
|
And that the lean abhorred monster keeps
|
|
Thee here in dark to be his paramour?
|
|
For fear of that I still will stay with thee,
|
|
And never from this palace of dim night
|
|
Depart again. Here, here will I remain
|
|
With worms that are thy chambermaids. O, here
|
|
Will I set up my everlasting rest;
|
|
And shake the yoke of inauspicious stars
|
|
From this world-wearied flesh. Eyes, look your last.
|
|
Arms, take your last embrace! And, lips, O you
|
|
The doors of breath, seal with a righteous kiss
|
|
A dateless bargain to engrossing death.
|
|
Come, bitter conduct, come, unsavoury guide.
|
|
Thou desperate pilot, now at once run on
|
|
The dashing rocks thy sea-sick weary bark.
|
|
Heres to my love! [_Drinks._] O true apothecary!
|
|
Thy drugs are quick. Thus with a kiss I die.
|
|
|
|
[_Dies._]
|
|
|
|
Enter, at the other end of the Churchyard, Friar Lawrence, with a
|
|
lantern, crow, and spade.
|
|
|
|
FRIAR LAWRENCE.
|
|
Saint Francis be my speed. How oft tonight
|
|
Have my old feet stumbled at graves? Whos there?
|
|
Who is it that consorts, so late, the dead?
|
|
|
|
BALTHASAR.
|
|
Heres one, a friend, and one that knows you well.
|
|
|
|
FRIAR LAWRENCE.
|
|
Bliss be upon you. Tell me, good my friend,
|
|
What torch is yond that vainly lends his light
|
|
To grubs and eyeless skulls? As I discern,
|
|
It burneth in the Capels monument.
|
|
|
|
BALTHASAR.
|
|
It doth so, holy sir, and theres my master,
|
|
One that you love.
|
|
|
|
FRIAR LAWRENCE.
|
|
Who is it?
|
|
|
|
BALTHASAR.
|
|
Romeo.
|
|
|
|
FRIAR LAWRENCE.
|
|
How long hath he been there?
|
|
|
|
BALTHASAR.
|
|
Full half an hour.
|
|
|
|
FRIAR LAWRENCE.
|
|
Go with me to the vault.
|
|
|
|
BALTHASAR.
|
|
I dare not, sir;
|
|
My master knows not but I am gone hence,
|
|
And fearfully did menace me with death
|
|
If I did stay to look on his intents.
|
|
|
|
FRIAR LAWRENCE.
|
|
Stay then, Ill go alone. Fear comes upon me.
|
|
O, much I fear some ill unlucky thing.
|
|
|
|
BALTHASAR.
|
|
As I did sleep under this yew tree here,
|
|
I dreamt my master and another fought,
|
|
And that my master slew him.
|
|
|
|
FRIAR LAWRENCE.
|
|
Romeo! [_Advances._]
|
|
Alack, alack, what blood is this which stains
|
|
The stony entrance of this sepulchre?
|
|
What mean these masterless and gory swords
|
|
To lie discolourd by this place of peace?
|
|
|
|
[_Enters the monument._]
|
|
|
|
Romeo! O, pale! Who else? What, Paris too?
|
|
And steepd in blood? Ah what an unkind hour
|
|
Is guilty of this lamentable chance?
|
|
The lady stirs.
|
|
|
|
[_Juliet wakes and stirs._]
|
|
|
|
JULIET.
|
|
O comfortable Friar, where is my lord?
|
|
I do remember well where I should be,
|
|
And there I am. Where is my Romeo?
|
|
|
|
[_Noise within._]
|
|
|
|
FRIAR LAWRENCE.
|
|
I hear some noise. Lady, come from that nest
|
|
Of death, contagion, and unnatural sleep.
|
|
A greater power than we can contradict
|
|
Hath thwarted our intents. Come, come away.
|
|
Thy husband in thy bosom there lies dead;
|
|
And Paris too. Come, Ill dispose of thee
|
|
Among a sisterhood of holy nuns.
|
|
Stay not to question, for the watch is coming.
|
|
Come, go, good Juliet. I dare no longer stay.
|
|
|
|
JULIET.
|
|
Go, get thee hence, for I will not away.
|
|
|
|
[_Exit Friar Lawrence._]
|
|
|
|
Whats here? A cup closd in my true loves hand?
|
|
Poison, I see, hath been his timeless end.
|
|
O churl. Drink all, and left no friendly drop
|
|
To help me after? I will kiss thy lips.
|
|
Haply some poison yet doth hang on them,
|
|
To make me die with a restorative.
|
|
|
|
[_Kisses him._]
|
|
|
|
Thy lips are warm!
|
|
|
|
FIRST WATCH.
|
|
[_Within._] Lead, boy. Which way?
|
|
|
|
JULIET.
|
|
Yea, noise? Then Ill be brief. O happy dagger.
|
|
|
|
[_Snatching Romeos dagger._]
|
|
|
|
This is thy sheath. [_stabs herself_] There rest, and let me die.
|
|
|
|
[_Falls on Romeos body and dies._]
|
|
|
|
Enter Watch with the Page of Paris.
|
|
|
|
PAGE.
|
|
This is the place. There, where the torch doth burn.
|
|
|
|
FIRST WATCH.
|
|
The ground is bloody. Search about the churchyard.
|
|
Go, some of you, whoeer you find attach.
|
|
|
|
[_Exeunt some of the Watch._]
|
|
|
|
Pitiful sight! Here lies the County slain,
|
|
And Juliet bleeding, warm, and newly dead,
|
|
Who here hath lain this two days buried.
|
|
Go tell the Prince; run to the Capulets.
|
|
Raise up the Montagues, some others search.
|
|
|
|
[_Exeunt others of the Watch._]
|
|
|
|
We see the ground whereon these woes do lie,
|
|
But the true ground of all these piteous woes
|
|
We cannot without circumstance descry.
|
|
|
|
Re-enter some of the Watch with Balthasar.
|
|
|
|
SECOND WATCH.
|
|
Heres Romeos man. We found him in the churchyard.
|
|
|
|
FIRST WATCH.
|
|
Hold him in safety till the Prince come hither.
|
|
|
|
Re-enter others of the Watch with Friar Lawrence.
|
|
|
|
THIRD WATCH. Here is a Friar that trembles, sighs, and weeps.
|
|
We took this mattock and this spade from him
|
|
As he was coming from this churchyard side.
|
|
|
|
FIRST WATCH.
|
|
A great suspicion. Stay the Friar too.
|
|
|
|
Enter the Prince and Attendants.
|
|
|
|
PRINCE.
|
|
What misadventure is so early up,
|
|
That calls our person from our mornings rest?
|
|
|
|
Enter Capulet, Lady Capulet and others.
|
|
|
|
CAPULET.
|
|
What should it be that they so shriek abroad?
|
|
|
|
LADY CAPULET.
|
|
O the people in the street cry Romeo,
|
|
Some Juliet, and some Paris, and all run
|
|
With open outcry toward our monument.
|
|
|
|
PRINCE.
|
|
What fear is this which startles in our ears?
|
|
|
|
FIRST WATCH.
|
|
Sovereign, here lies the County Paris slain,
|
|
And Romeo dead, and Juliet, dead before,
|
|
Warm and new killd.
|
|
|
|
PRINCE.
|
|
Search, seek, and know how this foul murder comes.
|
|
|
|
FIRST WATCH.
|
|
Here is a Friar, and slaughterd Romeos man,
|
|
With instruments upon them fit to open
|
|
These dead mens tombs.
|
|
|
|
CAPULET.
|
|
O heaven! O wife, look how our daughter bleeds!
|
|
This dagger hath mistaen, for lo, his house
|
|
Is empty on the back of Montague,
|
|
And it mis-sheathed in my daughters bosom.
|
|
|
|
LADY CAPULET.
|
|
O me! This sight of death is as a bell
|
|
That warns my old age to a sepulchre.
|
|
|
|
Enter Montague and others.
|
|
|
|
PRINCE.
|
|
Come, Montague, for thou art early up,
|
|
To see thy son and heir more early down.
|
|
|
|
MONTAGUE.
|
|
Alas, my liege, my wife is dead tonight.
|
|
Grief of my sons exile hath stoppd her breath.
|
|
What further woe conspires against mine age?
|
|
|
|
PRINCE.
|
|
Look, and thou shalt see.
|
|
|
|
MONTAGUE.
|
|
O thou untaught! What manners is in this,
|
|
To press before thy father to a grave?
|
|
|
|
PRINCE.
|
|
Seal up the mouth of outrage for a while,
|
|
Till we can clear these ambiguities,
|
|
And know their spring, their head, their true descent,
|
|
And then will I be general of your woes,
|
|
And lead you even to death. Meantime forbear,
|
|
And let mischance be slave to patience.
|
|
Bring forth the parties of suspicion.
|
|
|
|
FRIAR LAWRENCE.
|
|
I am the greatest, able to do least,
|
|
Yet most suspected, as the time and place
|
|
Doth make against me, of this direful murder.
|
|
And here I stand, both to impeach and purge
|
|
Myself condemned and myself excusd.
|
|
|
|
PRINCE.
|
|
Then say at once what thou dost know in this.
|
|
|
|
FRIAR LAWRENCE.
|
|
I will be brief, for my short date of breath
|
|
Is not so long as is a tedious tale.
|
|
Romeo, there dead, was husband to that Juliet,
|
|
And she, there dead, that Romeos faithful wife.
|
|
I married them; and their stoln marriage day
|
|
Was Tybalts doomsday, whose untimely death
|
|
Banishd the new-made bridegroom from this city;
|
|
For whom, and not for Tybalt, Juliet pind.
|
|
You, to remove that siege of grief from her,
|
|
Betrothd, and would have married her perforce
|
|
To County Paris. Then comes she to me,
|
|
And with wild looks, bid me devise some means
|
|
To rid her from this second marriage,
|
|
Or in my cell there would she kill herself.
|
|
Then gave I her, so tutored by my art,
|
|
A sleeping potion, which so took effect
|
|
As I intended, for it wrought on her
|
|
The form of death. Meantime I writ to Romeo
|
|
That he should hither come as this dire night
|
|
To help to take her from her borrowd grave,
|
|
Being the time the potions force should cease.
|
|
But he which bore my letter, Friar John,
|
|
Was stayd by accident; and yesternight
|
|
Returnd my letter back. Then all alone
|
|
At the prefixed hour of her waking
|
|
Came I to take her from her kindreds vault,
|
|
Meaning to keep her closely at my cell
|
|
Till I conveniently could send to Romeo.
|
|
But when I came, some minute ere the time
|
|
Of her awaking, here untimely lay
|
|
The noble Paris and true Romeo dead.
|
|
She wakes; and I entreated her come forth
|
|
And bear this work of heaven with patience.
|
|
But then a noise did scare me from the tomb;
|
|
And she, too desperate, would not go with me,
|
|
But, as it seems, did violence on herself.
|
|
All this I know; and to the marriage
|
|
Her Nurse is privy. And if ought in this
|
|
Miscarried by my fault, let my old life
|
|
Be sacrificd, some hour before his time,
|
|
Unto the rigour of severest law.
|
|
|
|
PRINCE.
|
|
We still have known thee for a holy man.
|
|
Wheres Romeos man? What can he say to this?
|
|
|
|
BALTHASAR.
|
|
I brought my master news of Juliets death,
|
|
And then in post he came from Mantua
|
|
To this same place, to this same monument.
|
|
This letter he early bid me give his father,
|
|
And threatend me with death, going in the vault,
|
|
If I departed not, and left him there.
|
|
|
|
PRINCE.
|
|
Give me the letter, I will look on it.
|
|
Where is the Countys Page that raisd the watch?
|
|
Sirrah, what made your master in this place?
|
|
|
|
PAGE.
|
|
He came with flowers to strew his ladys grave,
|
|
And bid me stand aloof, and so I did.
|
|
Anon comes one with light to ope the tomb,
|
|
And by and by my master drew on him,
|
|
And then I ran away to call the watch.
|
|
|
|
PRINCE.
|
|
This letter doth make good the Friars words,
|
|
Their course of love, the tidings of her death.
|
|
And here he writes that he did buy a poison
|
|
Of a poor pothecary, and therewithal
|
|
Came to this vault to die, and lie with Juliet.
|
|
Where be these enemies? Capulet, Montague,
|
|
See what a scourge is laid upon your hate,
|
|
That heaven finds means to kill your joys with love!
|
|
And I, for winking at your discords too,
|
|
Have lost a brace of kinsmen. All are punishd.
|
|
|
|
CAPULET.
|
|
O brother Montague, give me thy hand.
|
|
This is my daughters jointure, for no more
|
|
Can I demand.
|
|
|
|
MONTAGUE.
|
|
But I can give thee more,
|
|
For I will raise her statue in pure gold,
|
|
That whiles Verona by that name is known,
|
|
There shall no figure at such rate be set
|
|
As that of true and faithful Juliet.
|
|
|
|
CAPULET.
|
|
As rich shall Romeos by his ladys lie,
|
|
Poor sacrifices of our enmity.
|
|
|
|
PRINCE.
|
|
A glooming peace this morning with it brings;
|
|
The sun for sorrow will not show his head.
|
|
Go hence, to have more talk of these sad things.
|
|
Some shall be pardond, and some punished,
|
|
For never was a story of more woe
|
|
Than this of Juliet and her Romeo.
|
|
|
|
[_Exeunt._]
|
|
|
|
|
|
|
|
|
|
*** END OF THE PROJECT GUTENBERG EBOOK ROMEO AND JULIET ***
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